Scenes from a Marriage

28 Plays Later – Challenge #7

OK, so we focus way too much and worry about writing good stuff… how about writing some shite?
Like, proper total crap. (not literally! You know who you are!)
Not as easy as it sounds.
Just have no filters.
Let yourselves go

I didn’t like the “write shite” part of this challenge, but I really responded to the “let yourself go” part. Every year, I do 100 Days of Notecards, where I write a scene or sentence or snippet of dialogue on a 3×5 post-it and stick it on my fridge. To create this play, I pulled a bunch of those notecards (8 I think?) off the fridge and tried to put them in some semblance of order, but without any real connection.

 

Copyright: <a href='https://www.123rf.com/profile_bialasiewicz'>bialasiewicz / 123RF Stock Photo</a>

Scenes from a Marriage

 

Excerpt

PROLOGUE

TIME:  24 years ago

PLACE:  MOM’s kitchen.

LIGHTS UP on WOMAN and MOM at the dining room table. They’re each drinking coffee, and sharing a single slice of cheesecake.

MOM (concerned): You’re moving in with him?

WOMAN (confident): Yes.

MOM: You’ve only known him for five minutes. You know nothing about him.

WOMAN: Actually, it’s been six months.

MOM: Still…

WOMAN (ticking things off on her fingers): I know he likes strawberry-rhubarb pie and singing when he mows the lawn, and wearing socks during sex.

MOM gives WOMAN a gushy-mom look.

BLACKOUT

To read the entire play, click here:

2018-07 – Scenes From a Marriage

Bridge Traffic

BridgeTraffic via Flash PromptIn zero point three kilometers make an upward turn onto Higher Sixth Avenue.

 

“Mommy, is it true that in the olden days, cars could only go left or right and not up or down?”

 

“Yes. I remember when I was your age, taking long drives to the beach, and being stuck in bridge traffic for hours.”

 

“What’s bridge traffic? Does it have to do with that weird card game Gramma and Grampa play?”

 

“Card ga – oh! No! They play Canasta.”

 

“Canasta sounds ca-nasty.”

 

“It’s really not, sweetie. It’s just a card game.”

 

“Oh.” The child took a beat. “You were going to ‘splain me about bridge traffic.”

 

“EXplain,” her mother said. “And yes, I will. When I was a little girl, the only way to cross the river to the road that ran along-side the sea wall was to go over a bridge. That’s a road that’s suspended above water.”

 

“I KNOW what a bridge is. “

 

“Well, this wasn’t just any bridge, it was a draw bridge.”

 

“So, there was traffic because everyone stopped to draw the bridge?”

 

“A draw bridge has a section that gets lifted up when a large boat has to go up or down the river. Some boats had masts that were too tall to go under the bridge when it was down. So they’d crank up the center, and traffic would stop and wait.”

 

“That doesn’t sound ‘ficient.”

 

“Efficient, sweetie, and no, it wasn’t. But we didn’t have cars that could go up, or Aerial Highways that went to the Tiers, so we had to wait.”

 

“I don’t think I’d like that.”

 

“Oh, it wasn’t so bad. We didn’t have guidance systems and TotalGPS like we do now, so sometimes we could turn down – “

 

“But you said you couldn’t GO up or down!”

 

“You’re right. We could turn ONTO a street we weren’t familiar with, and just see where it took us.”

 

“You mean, you could dev’ate from your set Travel Plan?” The little girl’s voice was full of wonder.

 

“Deviate. And we didn’t file travel plans. We just went wherever the road might take us.”

 

“And you weren’t afraid?”

 

“No… it was wonderful. Any trip could become an adventure. Sometimes we’d find parks or playgrounds or just neighborhoods with cute houses we didn’t know existed.”

 

“Do you miss it?”

 

“Very much. I wish you could experience it, sweetie. Life was so much more relaxed.”

 

“Even the bridge traffic?”

 

In one point three kilometers turn Down, then merge into the exit flow for Mid-level Forty-fifth Street.

 

“Yes. Even that.”

 

An Exercise in Futility

28 Plays Later – Challenge # 6
#stillnotequal

Today (February 5th) is in celebration of the 100th year anniversary of Women first being given the vote in the UK. However, we’re also going to acknowledge that women didn’t actually get equal voting rights to men until 1928, so today’s prompt is: ‘Still Not Equal.’

And to reflect modern times, I’d love you to write it in the style of a farce, if you like (or whatever you conceive to be farce in these days)!

Notes: This isn’t a farce. It’s just a bit of frustration that’s probably a shitty first draft of something else. I wasn’t really feeling this prompt. I’m sharing it anyway, because I’m enjoying documenting the process, including the parts of it that didn’t work, because they’re honing my writing voice.

Copyright: <a href='https://www.123rf.com/profile_rh2010'>rh2010 / 123RF Stock Photo</a>

An Exercise in Futility

 

Excerpt:

MARCI (pointing to a calendar tacked to the side of the cubical): Oh, that’s not extreme. We can still do a normal renewal within a year. If it was really extreme, we’d have to start from scratch. (Types into a computer). So, what I need from you is the renewal application, your current ID card – it is just ID? – and your social security card.

KAREN: Well, I did the application online (hands it over), and of course I have my old ID (hands that over, too) but I managed to lose my social security card somewhere inside my house, but your website said I could bring my W-2, so I did that, and…

MARCI: That’s fine. We just need to verify your social security number. (She spends several seconds typing into her computer.) You don’t drive?

KAREN: No, like I said, it’s just ID. I have… I have issues with depth perception, and tracking moving obj –

MARCI (cutting her off): Oh, that’s fine, I’m just confirming. You don’t have to do an eye-test since this is just ID.

KAREN: Well, yes, I knew that.

Click the link below to read the entire play.

2018-06 – An Exercise in Futility

Something About Jessie

Photo Source: Flash Prompt Facebook GroupIt was common knowledge that Jessie was one of the Special ones. Billy was four years younger than she was, but he’d known her all his life, so he knew stuff.

Like, he knew that no one ever catalogued the ways in which the wispy little girl with the rats’ nest of dishwater-blonde hair was Different; but whenever something strange happened, she was likely to be at its center.

Not that her oddity, her Otherness, was bad, mind you.

But there were little things.

Like, when you played Tea Party at her house, the tea in her doll’s cup would disappear a little at a time, even though you never saw her lift it to steal a sip.

And when you were playing Freeze Tag there were moments when you’d swear she’d frozen with her feet above the ground instead of on it.

And any time a dog or cat went missing, you were stupid if you didn’t ask Jessie to help you find it. You didn’t have to look into the luminous gray eyes that seemed so huge in her pale, pointy-chinned, freckled face to know the girl had a Way with animals.

Her Strangeness made her the favorite among the school children. Playing with her was like inviting Magic home.

But as the kids in her year edged toward adulthood, and belief in such things faded, Jessie was left alone, more often than not.

At thirteen, Jimmy from the other block hadn’t yet begun demanding to be called Jim, but he had a kind of quiet authority that he wore like a cape. If he thought something was a Bad Idea, even the worst bully would back off from whatever-it-was and go do something else.

It made sense, then, that Jessie and Jimmy would gravitate toward each other. They were both Different, even though neither was showy about it.

Billy knew this, because he was Jimmy’s little brother, and couldn’t help it. When he saw his brother and the Curious Girl leave their bikes by the side of the road and go walking down toward the pond he had to follow.

So, there was a witness when it Happened.

It was one of those days when summer hadn’t quite let go of the daytime, but fall was taking ownership of the night, and Jessie and Jimmy stood in the place where the fog curled up against the water’s edge.

“Set them out, in a circle like,” Jessie said, and Billy watched his brother take instruction from another, and a girl at that, arranging mason jars with twine around the tops.

“Good?” the older boy asked.

“Good,” the girl whispered back. Seemed like Jessie only ever whispered. As if, maybe, using her voice came at some kind of cost. “Now wait.”

Billy had been catching fireflies all his life, just like every other kid in their town, but he’d never seen the bugs just Come, the way they did for Jessie.

She held out her hand like she was catching raindrops, and every few seconds one of the jars would start to glow, the insects inside offering their Light instead of having it taken from them.

Billy wasn’t surprised when he realized the jars were hanging in the trees without actually being attached to them. Stuff like that seemed normal when Jessie was around.

You didn’t expect it, exactly; but you weren’t shocked, either.

He also wasn’t surprised when his older brother leaned in and pressed his lips against the girl’s. Billy was only nine, and mostly thought girls were gross, but there was Something About Jessie that made her more like a faerie than an actual girl.

Truth be told, Billy kinda wanted to kiss her too.

Maybe.

Or maybe not.

‘Cause Jessie was still a girl, after all.

Billy slipped away while Jimmy and Jessie were still mashing their lips against each other’s, and he was pretty sure they hadn’t seen him.

He crept quietly down the track that led to the street, past where Jessie and Jimmy had dumped their bicycles, and then ran hell-bent-for-leather back toward home, in the door, up the stairs, to his room, and slammed the door.

When he saw the twine wrapped mason jar, hanging above his bed and glowing with firefly light, maybe that should have scared him.

But Billy looked at it, swinging in mid-air, attached to nothing.

And he smiled.

All About the Onions

28 Plays Later – Challenge #5

Use the following first line:

Take off the girdle, Gertl, and tell me everything about Onun’s onions,

or else little Dicklberg here will get it with this!

 

Photo by Štefan Štefančík on Unsplash

All About the Onions

Excerpt:

GERTL

(snarky)

Aww, Shanle, I didn’t know you cared.

SHANLE joins GERTL on her side of the hull, and uses his wrench to remove a couple of lug nuts – basically, they take something that looks like a wheel out of the hatch in the side of their ship. Colored wires snake from it’s reverse side.

SHANLE

I think I see the problem. (beat) No. I’m wrong. All I see is mass of horpifed wiring.

GERTL

(explaining patiently)

The onions became disconnected from the paving stone drive at the fourth intersection, and when contact was lost the latent energy caused a spark. If we restore the contact and secure the connection between the paving stone and the onions and then ground it with the nerf ball, we should be good to go.

SHANLE

(impressed)

How… how did you know all that? I thought Onun was the only one who truly understood how the onions functioned.

Click the link below to read the entire play.

2018-05 – All About the Onions

The Tears You Cry for Others

Photo Source: Flash Prompt Facebook GroupThe Tears are all there in bottles, aligned in rows, arranged on shelves in the far corner of the shop, where the sun can’t harm them and the temperature is constant – no chilling breezes every time the door opens.

Many shops offer a few bottles of Maiden’s Tears, but Madeleine is the only Keeper who offers the full line, and there’s no dispute that hers are the purest, the most potent.

Maiden’s Tears are most plentiful, and Madeleine has them further separated by vintage – that’s the age of the Supplier, not the age of the Tears, you understand.

Most shops never see anything beyond a 12, maybe a stray 10 if an order is mislabeled, but Madeleine offers 8s, which are full of innocent imagination. 13s, she warns, tend to induce snark when not used in extremely small amounts, and for special customers she’s been known to procure a rare, full-bodied 22 or 25.

Mother’s Tears – those are the varietals with the greatest differences. A 21 or 23 might have the best Fertility, but they’re often laced with Self Doubt and Regret. The 35s, Madeline says, and the 40s are best for boosting Confidence and Reliability, but if used incorrectly they can cause a spike in Sexuality that’s a bit unexpected.

Crone’s Tears go in and out of fashion. Some years, people clamor for the Wit and Wisdom they offer; other years, people avoid them, unwilling to risk high doses of Sorrow.

It’s said that Madeleine was a Supplier in her Maidenhood, that her Hopes and Dreams were among the strongest.

It’s also said she’s a Supplier of Crone’s Tears now, and that’s why she’s able to have such an extensive stock.

No one’s ever seen Madeleine Cry, but if you look carefully, she has the crescent-shaped mark under one eye – the kind you get from years of Collection.

It’s only ever one eye, of course. The Tears of one eye are Cried for others, but the Tears from the other eye are for yourself.

In Dreams

28 Plays Later – Challenge  #3

Tap into your dreams… and put them on stage. I expect the unexpected. Or do I? I want to see things that can not make sense. I want hallucinatory experiences. I want a disruption of conventional notions of form.

Oh, and make the production huge. Try to make the budget sky rocket (maybe literally) – spend as much money as you can – but make the whole experience feel like a dream.

Copyright: <a href='https://www.123rf.com/profile_choreograph'>choreograph / 123RF Stock Photo</a>

IN DREAMS

 

Excerpt:

Welcome to my nightmare. Or yours. Maybe both. It doesn’t really matter. So, as I was saying before I was rudely interrupted…

(turns and glares toward the bed)

… nightmares are stimulated by a variety of things. Sometimes they’re caused by things that you see on television or in films – violent crimes in police procedures, or monsters like Dracula or Freddy Krueger.

Sometimes, nightmares are a representation of our fears and phobias, even the silly ones.

(looks down at the table, appears to see something crawling on it, mushes it with her thumb and then wipes her thumb on a napkin.

She shudders visibly.)

Ants. Horrible little creatures. And they’re everywhere.

Click the title below to read the entire piece.

2018-03 – In Dreams

 

Neighborhood Watch

28 Plays Later – 2018

Challenge #2:

Go outside and have a look around you. Notice things. People. Animals. Buildings. Let something that you see outside be the starting point of the play…. And as yesterday’s challenge was set in your hometown, today take it as far away as possible. Maybe a different country – or maybe a different planet – or maybe a different universe … If you add yourself as a character in the play – you will get bonus points! 

Copyright: <a href='https://www.123rf.com/profile_bowie15'>bowie15 / 123RF Stock Photo</a>

Excerpt:

What? Sorry, there is this RUDE squirrel keeps landing in my bird feeder.) Where was I? Right! So, I called the doctor, and his girl said he could see me a week from Friday, and I said, ‘Listen Missy, I am all covered with these big old RED spots, and ain’t no way I’m gonna wait til the end of next week to see what’s what.

So, finally, she said she’d try to squeeze me in and…

 

Click the link to read the entire play:

Neighborhood Watch

Take Back the Light

Fairy Light via Flash-PromptEdison wasn’t the first, you know. He wasn’t even the third. Scientists had been experimenting with incandescent bulbs for nearly a century before old Tom hit on tungsten.

But he had Help.

No, I don’t mean he had human helpers; I mean he had Help. From us.

We’re not exactly faeries, though we’re not exactly NOT faeries, either. Obviously, we Work with technology. We’re metalworkers and electricians and we don’t have the issue with iron that our brothers and sisters have.

And honestly, we were happy to Help. After all, humans have an inherent fear of dark corners and shadowy places. Fearful humans are DANGEROUS humans. So, helping you lot to have control over light and dark, even with limitations, wasn’t just a kindness.

It was an act of enlightened self-interest.

(Yeah, I went there.)

Here’s the thing though. You all got cocky. You didn’t stop at soft white, or even soft pink. You decided that your control of the light had to be more efficient.

First came those gods-forsaken compact fluorescent tubes that spiraled around to imitate the shape of a proper bulb.

They last a thousand times longer, you said, patting yourselves on the back.

But they also HUM. Most of you can’t hear it, but We Can, and it messes with our navigation, warps our flight paths, and makes our whole beings vibrate to the wrong frequency.

Those efficient not-bulbs are oh-so-efficiently killing us!

Then there were the LEDs. Okay, they don’t hum. But there’s something off about the light they produce. It has no heat, no substance. It’s like an echo of light rather than light itself.

We shiver when we’re near an LED. Ever seen a faerie or pixie shuddering uncontrollably? Trust me, it’s not pretty.

So, this is a message to you. We’re pissed. And we’re taking back the light. One bulb at a time.

One giant bulb at a fucking time.

 

Photo Source: Facebook Flash-Prompt Group

Like Butterflies

28 Plays Later – 2018

Challenge #1: Write a play about a brave little soldier;

bonus points if it’s set in your home town.

 

Mount Mitchill, Atlantic Highlands, NJ

 

LIKE BUTTERFLIES

 

Scene: Mount Mitchill Memorial Park, Atlantic Highlands, New Jersey, 2031

Lights up on two people – DAVID and SARAH – sitting on a curved stone bench, but SARAH is looking away. Upstage of them, center, is a representation of the 9/11 Memoria – an eagle holding a bent and blackened girder from the World Trade Center. Behind that is a rail fence with a couple standing binoculars – the kind you step up to see into. Projected behind everything is a view of Sandy Hook Bay. The light should be blue-tinted except for a dock-light (the high metal-hooded flood lights that shine directly down. In the distance, the calls of seabirds are faintly discernable.

David is 35-ish, with a military buzzcut. He’s dressed in a polo-shirt with a NASA patch on the pocket, a hoodie open over it, and khaki pants. SARAH is a bit younger – 30 – , wearing a cardigan over a sundress. She’s visibly pregnant.

DAVID (pleading): Come on, Sar… talk to me. I have to report to the base at dawn, and I don’t want to leave with you angry.

SARAH (still turned away from him): There’s nothing to talk about.

DAVID: You could say goodbye, at least.

SARAH: I thought we were done with goodbyes.

DAVID: It’s not me; it’s the job.

SARAH (turning toward him): That’s what you said when you spent six months on Mars last year. That’s what you said two years before that, when they gave you a similar post on the Space Station, and that’s what you said, when you packed us up and moved us to the moon for a year.

DAVID (interrupting): I thought you liked living on the moon. You seemed happy at Luna Colony. You certainly seemed to enjoy the swimming pool.

SARAH: Okay, yes, there was something lovely about swimming in zero-gee under the transparent dome, but it’s not the same as breathing real air or swimming in a real ocean. It’s definitely not a place to be when you’re starting a family.

DAVID: It’s one mission, Sar, and then I’m telling them I only want ground assignments.

SARAH: Mars was technically a ground assignment.

DAVID: Ground assignments on Earth, Sarah.

SARAH: Earth only?

DAVID: Earth only. I promise.

SARAH (relenting, fierce, but flirty): I’m gonna hold you to that, Soldier.

DAVID (amused): Soldier? Really?  Darlin’ I’m a sailor who navigates a sea of stars.

SARAH: Yes, well. Soldier sounds better. (She takes a beat. When she speaks again, she gestures to the memorial) Do you think they’d be proud of us? My dad? Your uncle?

DAVID (also gazing at the memorial, reaching out to trace one of the names etched thereon): I think so. I know they’d be waiting to greet our little bundle of joy. Hard to believe it’s been thirty years since then.

SARAH (arms wrapped around her pregnant belly): It feels like yesterday, sometimes. I mean, I was only two, but I remember Daddy tossing me in the air, and kissing me before he left for work, and then the next thing I remember was Mom crying and holding me so tight.

DAVID (putting his arm around her): I remember my father being in tears. I don’t think I’d ever seen him cry before. (softer) He lost his twin that day. I don’t think I ever realized how deep that pain went.

SARAH: No. You couldn’t.

(The two fall silent, a quiet remembrance taking hold. Suddenly SARAH jumps.)

SARAH (surprised): Hey!

DAVD (worried): What is it? What’s wrong?

SARAH (smiling, her voice full of wonder): He kicked.

DAVID: He…?

SARAH: Or she. The baby. Our baby kicked. (She pulls his hand to her belly). Here. Feel.

DAVID (concentrating and then delighted) Aw, wow! That’s – that’s awesome! (Addressing the belly) Hey there, little solider. I’m your dad, and I love you. And I promise not to be away too long.

SARAH (amused, pointed):  Little soldier? Not sailor?

DAVID (sheepish): Well, soldier just sounds better. (Beat) What’s it feel like?

SARAH: The baby? You felt it.

DAVID: No. I mean, yes, but… no. I mean… what does it feel like from inside?

SARAH (after a few seconds thought): Do you remember how you described launching into space the first time? Like butterflies…

DAVID (with her): … fluttering in your stomach. (Continuing alone) And then a jolt. And then more butterflies.

SARAH: It feels like that. But… more.  (Beat) It feels like that when you leave, too, but the butterflies are in my heart. I worry from the moment you launch to the moment you land. I grew up without a father, David, because of senseless, stupid violence. I don’t want our little butterfly to do the same.

DAVID (reassuringly): She won’t. He won’t. It’s one mission, Sar, I promise. A quick jaunt to the outer rings and back. (Affectionate, but teasing) Come on, be my brave little soldier, and I’ll be home before you know it.

SARAH (miffed): I’m not your little soldier.

DAVID: Maybe not, but you’re carrying our little soldier. So, be brave for his or her sake, because if you are, I will be, too.

SARAH (dubious): You get scared, when you’re up there?

DAVID: Of course, I do. Not the kind of fear that stops me, but the low-grade worry in the back of my head: What if she leaves me? What if something happens to her or the baby, and I can’t get home in time? What if something happens to me, and she never knows what really happened?

SARAH: I didn’t think… you always seem so confident.

DAVID (joking): Well, yeah. Can’t have you thinking I’m a wuss.

(SARAH shivers, and DAVID takes off his hoodie and wraps it around her shoulders. Then he stands.)

DAVID: Come on, let’s go home. I have it on good authority that butterflies are much calmer when they’re warm and cozy.

(He pulls SARAH to her feet and she loops her arm through his. )

SARAH: Take the scenic route. I want to watch the stars.

They walk off, stage left, arm in arm.

The lights fade to black.