Like the Prose: Challenge #1 – So today we write about birth. Perhaps write an autobiographical story about a memorable birthday party? Or a funny anecdote that happened to a friend at a birthday? Perhaps a surreal story about someone being born?
It’s hot. It’s hot and it’s humid and the only thing that makes this hot-and-humid different from the hot-and-humid he was in a week ago is that a week ago there was blood in his boots from marching through the jungle in the dark and now he’s not wearing boots; his feet are wrapped in cotton gauze and there are blue cloth booties over that.
There’s gauze around his right bicep, too, and bandages over that, and he can’t tell if the wetness seeping through the layers of cotton and gauze is sweat or blood or both, and he wants to look but he also doesn’t.
It’s early morning, the time when choppers usually come out of the night… or the planes come to blanket the jungle with strafing fire. Ignoring his arm, he turns his head to look out the window. There’s a partial lunar eclipse, they told him, but he’s not sure he wants to see the moon in shadow.
The moon has always been his friend.
He closes his eyes, but he swears he can hear the blades of the whirlybirds circling closer and closer and feel the breeze from their spinning blades….
The smell of bacon – bacon? – and antiseptic take him out of the war-torn jungle and put him back in the here-and-now.
He’s Private Miller. Gregory Miller. Drafted. Taught to shoot at people he never had an issue with. People who were shooting at him for reasons he’s still not sure of. And they didn’t miss, but they also didn’t kill him, so he’s back stateside in New Jersey, in August, in a hospital with no a/c and a rickety fan that sounds like an incoming helicopter… at least to someone like him.
A corpsman comes with a breakfast tray and he asks about the heat.
Energy crisis, he’s told. Only the surgical theaters, ICU, and maternity wards have cooling, per orders of the commander-in-chief.
He’s been taught to respect the office, if not the man, but he can’t help but wonder if Tricky Dick is doing this to punish the military for not crushing the VC and ousting Ho Chi Minh.
He eats his breakfast. The bacon and eggs are real, not rations, and the coffee is amazing, despite the hot-and-humid that’s settled into his bones, even here, in the clean, bright, hospital.
When the corpsman comes for the tray, he asks for help to use the bathroom, and then he goes back to bed and loses himself in sleep. He isn’t really sleepy, but at the same time, he’s exhausted.
* * *
The light has changed when he wakes again, in time for lunch. A burger, fries, a salad, an icy cold Coke in a glass bottle. Vintage. He’d kill for a beer, but the cola is almost as good right now. It’s proof he’s really home. Or close to it, anyway.
After lunch another corpsman comes to help him to the bathroom. He’s shaky. His feet are tender, but he’s grateful to have them. He was half-convinced he’d wake up to find stumps – he remembers the line of infection starting up his leg. Luck. It’s all just fucking luck.
The corpsman has a wheelchair waiting when he leaves the bathroom, but he doesn’t take him back to the ward.
“Am I being kidnapped?” he asks, only half-kidding.
The corpsman is the size of a linebacker, black, with dark eyes that are difficult to read. His looks make him more likely to be on a football field or at the door of a disreputable bar than in a military hospital. But Miller feels like the bigger man can be trusted.
“Thought I already was.”
“Rescue,” the corpsman says, “is an ongoing process.”
He accepts the statement as they leave the general ward and enter the maternity ward. Cool air wraps around him almost immediately, and he sighs, sinking into it. “Ohhh, that’s nice.”
“Yup, it is. But ya gotta earn it.”
They enter a room full of bassinets. About half aren’t in use. Some hold sleeping babies. The rest… he realizes that while some of the people in the rockers are new mothers, new fathers, some are wounded vets, like him.
“I don’t have a kid here,” he says.
“I know.” The corpsman stops him near a bassinet with a baby girl in it (he knows it’s a girl because she’s got a pink bow taped to her bassinet. There’s no name yet.) “Did you know that human contact in the first few hours after birth is crucial for newborns? This little girl just joined us today. Her mother’s asthmatic. It was a rough delivery. She’s exhausted. It’d be a big help if you could hold her for a while.”
“I’ve never held a baby.”
“I’ll teach you.”
“But… I… won’t her father be pissed…?”
“He’s – ah – not in the picture.”
He moves to the rocker, lets the corpsman place the tiny baby in his hands. She’s not even as long as his arm, from elbow to wrist. And she smells clean and new… Ivory soap and new beginnings wrapped in a cotton blanket.
The rocking begins unconsciously. He’s in a rocker. It’s what you do. The singing. Well. Probably no one’s ever tried to turn “We Gotta Get Out Of This Place” into a lullaby before, but the baby doesn’t seem to care about the lyrics.
And the air conditioning is bliss.
* * *
He comes to rock the little girl every day that week, always in the late afternoon. On Friday, they wheel in a woman wearing a yellow nightgown under her hospital-issue robe and slippers. “I think you’re in my spot,” she says, her tone wry.
“You’re her mother?”
“She’s beautiful.” He gives up the rocker, and hands over the baby, asking, “Have you picked a name yet?”
“I was going to name her after my brother, but he insisted that I can’t burden a child with a name like his.” She shares the name with him, and he agrees it’s awful.
“Is your brother a soldier?”
The woman looks away. “Not exactly.”
AWOL then, he’s guessing, or something else. “I’m sorry. I’m just – ”
Yellow-nightgown woman is quick to assure him, “No, it’s fine. My father’s career Army. He’ll fix it, but it hurt him, and… it’s just hard.” She pauses. Her tone is softer when she asks, “Were you at Ripcord?”
He is surprised she knows the name. Most people just know “Vietnam” and nothing else. Most people don’t care about the details. “Yeah. It was… ”
“You don’t have to tell me,” she says. “I’m glad you got out.”
“Thank you,” he answers, because he doesn’t know what else to say. The corpsman comes to take him back to his bed, then, but he offers, as he leaves, “Maybe you could use the first letter of your brother’s name. And… if it helps? I usually find inspiration in the shower.”
She smiles at his suggestion then turns her entire focus on her tiny daughter.
He goes back to bed. Someone in the ward has found a radio, and he finds himself listening to the Phillies play Houston in a double header. They win one and lose won, and he chuckles as he eats his dinner, because the results seem a perfect metaphor for his life, the war, the world.
* * *
On Saturday, when the corpsman wheels him to the nursery, the little girl is gone, and a baby boy with tight black curls is waiting to be held. Mark is his name, and his skin isn’t as dark now as it one day will be, he is told, but a baby is a baby is a baby and there’s something cleansing in holding these new lives.
Still, he is pleased to find that the charge nurse has a message for him: “The captain’s daughter says to tell you that the shower helped, and the baby’s name is Melissa.”
He is Private Miller, comma, Gregory, and he served three years in Vietnam, and made it home wounded, but alive. He will never tell anyone – not his priest, not his best friends, not even the woman he will one day marry – about the children his unit killed, or the children his unit left parentless and homeless, or the families whose homes were burned, or any of the other horrible things he saw. He will wrap those memories inside a piece of olive drab canvas and hide them in the deepest part of his heart.
But he will also hold onto a better memory: On the day after the eclipse, on a hot and humid day in the middle of August, he met a brand new baby and was reminded that hope still exists in the world.
He will continue to be reminded of that every time one of his own children is born, and his grandchildren as well.
And he will often volunteer to rock them.
Eclipse by Melissa Bartell is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.