Tea

Like the Prose: Challenge #21 – Today was about doing the opposite of what you usually do. I typically write in bed and work in a horror or sci-fi twist. I wrote this in the living room and it’s completely human and earthbound.

matcha tea

The teabag arrived in a pink envelope on a gray day. The sender had wrapped it in a page of lined notepaper and scrawled a brief message, but it had gotten wet, and she couldn’t really read the signature. The message was clear, however: it was Penelope’s turn for the tea exchange,  that she should sip the tea and think of someone she loved and then send a bag of her own favorite tea to the address on the note.

The address was surprisingly clear.

She looked at the green envelope. “Pukka,” she read. “Supreme Matcha Green.” She’d had matcha before, when visiting her college roommate’s family for the holidays. Though Emi had been born in America her parents had left Asia shortly after their marriage – her mother was from Taiwan and her father from mainland China – and they’d had packets of instant matcha powder in a basket on the counter.

Penelope had fallen in love with the stuff, searched all over it, finally told her friend she loved it, and asked how to get it. Beginning that Christmas, and every year in the decade since, she’d received a box of the stuff every December and she measured it out over the next year until the next box came.

But this wasn’t her treasured matcha powder; this was a bag of green tea with matcha in it. Still, it seemed like a lovely rainy-day sort of tea. She filled the kettle and turned it on, took her favorite mug from the cabinet, and sliced an apple and some cheese to nibble with her cup.

Never a patient person, Penelope forced herself to follow the directions on the bag and let the tea steep the required length of time. She took deep breaths of the deepening brew, absorbing the herbal scent. She appreciated the deep emerald color.

Finally, she pulled the bag from the water and discarded it.

Taking tea and snack to the dining room table, she sat facing the window and watched the rain on the street. Think about someone you love; the note had said. There were so many people! Her husband, obviously, her parents, her local friends. But afternoon tea with Emi had become a ritual in college that continued through their grad school days.

They’d rented their first apartment together – a horrible sixth-floor walkup with a toilet that whistled for three full minutes after every flush and a clawfoot bathtub that rocked back and forth when you stepped over the side to get in it.

Both sets of their parents had been mortified by the choice, but despite the apartment’s quirks, it was in a safe building in a decent neighborhood, and they had a small balcony that held two chairs and a bistro table they’d found free on the sidewalk.

On days when it wasn’t raining, they’d bring glasses (okay, bottles) of wine out there, and trade their boyfriend woes, complain about classes, share fears about work and life after graduation…

And on days when it was…

That’s when they’d sit in the bay window and drink tea.

Penelope finished the last wedge of apple, the last square of cheese, and the last swallow of the tea.

Then she picked up the phone and punched in the number she knew almost as well as her husband’s.

“Hello?” It was as if ten years had dropped away when she heard that voice.

“Hey, Em? It’s Pen. It’s raining here, and I was just sipping tea, and thinking of you. Do you have a free weekend anytime soon? It’s been too long. We should get together.”

 

Ione

Like the Prose: Challenge #20 – Write smut. (Well, really, write erotica. But I didn’t, quite.)

ernesto-bruschi-1443811-unsplash

There’s a subtle secret about violets. Their scent contains a chemical that turns off the human sense of smell. For this reason, you never perceive them as a constant presence, like roses or lilies. Rather, they flirt with you, tickling your awareness in subtle bursts.

The girl on the train reminds you of violets.

At first, you aren’t certain you’re seeing the same girl every day. You catch a glimpse of her calf above the top of a scuffed boot, her delicate hand holding her commuter pass to be punched, the wisp of an errant curl against her cold-reddened cheek.

You know you shouldn’t be looking. Because this girl – and she is a girl – likely sixteen, seventeen at the oldest – is a student at your school. Because she’s underage, untouchable, unspoiled. And you are none of those things.

But once you give in, once you do look, you realize, it’s not only the same girl on the train, it’s the girl in the third row of the biology class you teach.

And your interest becomes an obsession.

You study her in class, watching her when her eyes are not on you. You note the way she holds her pencil close to the tip, which cramps her fingers. You memorize the particular way she loops the letter ‘y’ in the word ‘biology.’ You make a mental catalogue of her facial expressions – happy, sad, frustrated, confused – her fresh, young face is so emotive.

You alter your schedule to ensure that you are on the train one stop before her in the morning. You watch her laughing with her friends when she boards. You bristle when she bends her head close to the black-haired boy’s on the journey home in the afternoon. You observe her sadness when he discards her for her blonde friend and then her return to joy when the handsome-but-geeky brown-haired math whiz expresses an interest.

And through all this, you consider that she is like the aroma of the violet. Something to be appreciated in fits and starts, but never in long moments.

Something to long for, but never quite have.