Brief: Write the libretto for an opera.

Notes: This was meant for the day 8 prompt, but after trying to adapt two different episodes of Star Trek: The Next Generation, and realizing it was taking more time than I can give, I posted two out-of-order, scrapped everything, and went back to this today. Thanks to my friend Fran for the inspiration. And to (counterclockwise from the top right) Teddy, Perry, Max, and Piper for being my loyal, if drooly, companions.

Excerpt:

TEDDY:                     No one knows what it’s like

Being feared and hated

Knowing death is fated

 

ALL:                            Behind steel bars.

 

PIPER:                        But we dream

Of love and cuddles

And fur-ever families…

Follow the link below to read the entire play.

008 – Tennis Ball Rhapsody

Brief: Write a play that takes “just a minute.”

Excerpt:

No, I mean. What if… what if me not being able to beat his time means he won’t come home.

MOTHER:                  (wrapping her arm around her son). Sweetie, whether you race through the piece in fifty-six seconds, or  play it in the two minutes most people do, it won’t bring your dad back sooner, or prevent him from coming home.

MATTHEW:               Promise?

MOTHER:                  Promise. (she ruffles his hair) Want to know a secret about the Minute Waltz?

Notes: Another out of order piece… still working on prompt 8.

Follow the link below to read the entire play.

010 – Waltzing with Matthew

Brief: Write a play aimed at 3-6 year-olds.

Notes: This is appallingly bad. And it’s written for kids to perform, as well as watch. It’s also the response for brief 9, because brief 8 is incredibly lengthy and needs more time.

Excerpt:

CHILD TWO:                E is for Everyone getting along.

F is for Fortnight, my avatar’s strong!

G is for Grover and Oscar the Grouch.

H is for Hiding behind the big couch.

Follow the link below to read the entire play.

009 – ALPHABETICAL

Brief: Use a piece of music composed by Beethoven to inspire a play.

Excerpt: 

She:                  So, do you come here often?

He:                  My writing group meets here on Thursday evenings; yes.

She:                  Is that usual? For a published author to still have a writing group?

He:                  Absolutely. Feedback is better than a home-cooked meal.

She:                  I’d think that would depend on the meal.

He:                  Oh?

She:                  Well, you know, pot noodles aren’t exactly on par with shrimp scampi.

Follow the link below to read the entire play:

07 – Variations 1-7

 

Brief: Write a play in which you meet one of your idols.

Excerpt:

JACQUES:                  Do you know why these were made without handles?

MELISSA:                   I do. It was so the submarine officers on watch could wrap their hands around them for warmth.

JACQUES:                  Warmth is something we all need when we are at sea.

(he places the mugs on a low table between them, and pours tea from a pot into each)

Do you need milk or sugar?

MELISSA:                   I used to. Not so much anymore.

JACQUES:                  I find I like the bit of astringency that comes with black tea. It’s bracing. Reminds you you’re alive.

Notes:  Some of Jacques’s lines are taken from actual quotations.

Follow the link below to read the entire play.

06 – Aye Calypso!

Brief: Write a play using one or more of some pre-defined characters, using some or all of the provided traits.

Notes: I didn’t feel that any of the suggested characters were speaking with me so I went to the THEY FIGHT CRIME generator and stole two that I liked, but used a couple of traits from the pre-defined characters.

Excerpt:

HOBBES:                    Then how did you mean it?

CALVIN:                    I’m Aristide. Calvin Aristide. Metal dude on my right is Sparky.

HOBBES:                    (ruffling her wings in irritation) And this information matters to me… why?

CALVIN:                    (annoyed) The Agency didn’t tell you? I’m your new partner.

HOBBES:                    The Agency hasn’t bothered to contact me in weeks. They still blame me for what happened with the last guy. It wasn’t my fault he decided to go to Kestrel Five without me. I mean, who does that?

(beat)

Figured they’d call me in, put me on permanent sabbatical, not assign a new partner. Do you drink?

CALVIN:                    Well, not blood…

 

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04 – Match Made in Purgatory

Brief:  Write a play that is a love letter to part (or all) of Europe.

Excerpt:

Ignacio:            I had some tea from the replicator, thanks. And you’re underestimating with “chilly.” The last hour of the trip, I couldn’t feel my fingers… or my chin.

Naomi:            I guess I’m just acclimated. Well, don’t worry; you won’t have to visit the surface anytime soon, and once you’ve passed quarantine, you’ll have access to the hot springs.

Ignacio:            Hot springs? I didn’t think Europa had geothermal heat?

Naomi:            Europa doesn’t. Nuevo Madrid does. We cycle our waste energy through a couple of the springs within the complex, filter out any traces of radiation – don’t worry, there’s nothing harmful. Well, there was that one person who grew gills…

Follow the link below to read the entire play:

02 – Agua y Fuego

Brief: Use the number 2 as inspiration for a play. Write about pairs or couples, or interpret it another way.

Excerpt:

YU: It’s funny isn’t it?

WILL: What do you mean?

YU: Well, in our parents’ time, marriage was the default. Now? I know so many couples who don’t marry until they’ve had children. Or even after.

WILL: Yeah. The question used to be when will you marry, or who. Not, you know… will you ever. (He takes a beat). Will you?

Follow the link below to read the entire play:

01 – Marry Me A Little