Itchy

It was her face that had attracted him, her profile picture on the dating app. But it was her fingers that really caught his attention. They were long, perfect for the piano her bio said she played, and tipped with pink-painted nails that were slightly sharp. Those nails and the expression in her green eyes promised a host of wicked delights.

He swiped right, sent a note, started the kind of textual flirting that passes for courtship in the twenty-first century. They met for drinks. He ordered a beer, and she had a pink cocktail that lingered on her lips when they kissed. She tickled his palm with her nails and the shivery feeling left him wanting – no, needing – more.

Itchy by adiruch

He was charming. She was willing. He left her bed at three the next morning with the feeling of her nails on his skin and an empty promise dripping from his tongue. “I’ll call you.”

Three days later he hasn’t called. It’s not that he didn’t have fun, but that he knows he could do better.

On the fourth day, she texts him, but he doesn’t answer.

She texts him a few more times, but he doesn’t respond. She’s too clingy, he decides, even if her nails were exquisite.

Two weeks after their date, he’s in the same bar with another woman, one who sips bourbon, and he sees her across the room. She’s with a group of friends, but their eyes lock. She mouths a single word that he can’t understand. Bitchy, maybe? Whatever. The bourbon-sipping blonde squeezes his thigh with her hand.

“Let’s get out of here,” she says.

He’s too glad to agree.

But he can feel the other woman’s eyes follow him out, and the memory of her fingernails raking his naked back is suddenly fresh in his mind. “Ohhh.”

“Hmm?” asks his date.

“Nothing.”

His right shoulder blade is itchy, and he reaches backwards to scratch it, but the spot moves just out of his reach.

By the time they reach his apartment, he’s squirming in his clothes.

“Are you okay?” she asks.

“I’m fine. I’m just… itchy.”

“Want me to scratch your back?”

“God, yes.”

With him shirtless in his living room, she tries to alleviate his itch, but it seems that with every stroke of her short nails the feeling only gets worse. “Is there something there?” he asks. “On my back? A bite? A rash?”

“No, nothing.”

The itching is increasing. He can’t stop scratching long enough to kiss her again let alone get it up so they can do more. She leaves without promising to call.

He didn’t expect her to.

He tries rubbing his back against the rough stucco of the wall outside his bedroom, where the hallway forms a corner, then tries the door frame itself. But his skin demands more.

He tries a cold shower, uses his back scrubber with as much pressure as he can muster. But the water seems to spread the itch.

He swallows a couple of Benadryl and tries to sleep, but his skin is on fire, and he ends up wired and wooly, using object after object – a wire hanger, an old toothbrush, a vegetable brush, the closed blades of his kitchen shears – in vain attempts to alleviate the itching.

Morning finds him naked and shaking, trying to reach the spot between his rib and shoulder with the blade of a carving knife, passing the edge sideways across his burning skin while he waits on hold for the advice nurse his insurance provides.

“Try a moisturizing lotion,” she suggests, “or an ice massage.”

Neither suggestion considers the fact that he can’t reach the infernal itch.

He calls out sick, fills his tub with ice, lies in it until his skin is blue and thinks relief has finally come. But when he’s warm again the itching returns.

He flips channels on the television to distract himself, landing on an ad for power tools. A belt sander would be perfect, he thinks, except there’s no way to make it reach the spot.

He takes more Benadryl and chases it with a healthy swig of vodka.

* * * * *

He spends three days in a near-coma induced by alcohol and antihistamines. He’s given up on the carving knife and tried a hand saw. He’s sure the teeth are drawing blood because he can feel fluid oozing down his back, and it’s definitely not sweat.

He wonders if he could use an x-acto knife to excise the spot. He calls his buddy from work to ask for help. The friend arrives with gauze, alcohol, a couple of knives, and – oddly – a role of sage and a Bic lighter.

“What’s that for?” he asks.

“In case a demon caused the itching. We can smoke it out.”

“Will that work?”

“No idea. It can’t hurt.”

But the smoke just sets off the fire alarm.

“Just cut it…” he begs. “Please. Just slice it away.”

“Here?” his buddy asks pressing under his shoulder blade.

“Lower.”

“Here?”

“More to the left. No – higher – no, down and to the right. No – FUCK!”

“Maybe,” his buddy said, “You should tell me exactly how this happened.”

And so, he explains about how he saw the girl he’d ghosted when he was out on a date with someone else, and she’d mouthed “bitchy” at him.

“Bitchy?”

“Well, I thought it was at the time. Now I’m thinking she said itchy.”

“She cursed you.”

“You think?”  His friend is silent. “Sorry,” he says.

“We’re cool,” his buddy answers. “I think…. I think maybe it’s not me you need to be apologizing to, anyway. I think you have to apologize to the woman who did this.”

“Seriously.”

“That or scratch yourself to death. Your back already looks a lot like hamburger.”

“Damn.”

“Sorry I couldn’t help.”

* * * * *

It’s another two days of torment before he can make himself contact her. He hasn’t slept but he’s figured out how to attach sandpaper to a broom handle to scratch more. It comes back bloodier every time, but he doesn’t care. Anything to stop the itching for a few seconds.

He’s taking enough antihistamine and alcohol that while he doesn’t sleep, he does enter a sort of altered state where he can see her face and feel her fingernails on other parts of his body. It’s when the itching moves to his balls that he caves and texts her.

“I think maybe I owe you an apology,” texts.

Her response comes, several hours later, in the form of a question. “You think or you know? You promised to call,” she adds. “Keep your promise.”

He almost throws his phone across the room, but the itching is getting worse again. Scratching his crotch with one hand, he keys in her number with the other.

“This is Cat.” Was her voice always that smooth?

“Hello, Cat. This is Dave, from… from the other night. I’m sorry I didn’t call. It was really rude of me.”

“Yes, it was. I wasn’t expecting a lifetime commitment, but a call telling me you didn’t think we were a match would have been the adult thing to do.”

“I guess it was just easier to blow you off and move on.”

“Easier for you, you mean.” Her tone was calm when she had every right to be mean or petty. “Not so easy to be the one waiting for a call that never comes.”

“I never thought of it that way,” he admitted.

“No, you just rely on your charm and lack of conscience. That’s what the itching is by the way. It’s your conscience trying to get your attention. It doesn’t usually take this long though.”

“I guess I’m particularly obtuse.”

“I guess you are.”

“Can you… make it stop… please.”

She laughs into his ear. “Haven’t you realized? It already has.”

He goes quiet, forcing himself to feel… and she’s right… there’s no more itching. There can’t be. Because he’s scratched away every last nerve on his body.

His phone falls to the floor, and his body follows soon after.

 

Photo credit: adiruch

 

 

 

 

 

 

Sleepless (a remix of the Endymion myth)

The first time she saw him, she knew. She needed him to pose for her. She’d put him on film. On canvas. Maybe even in stone, though sculpting wasn’t really her forte.

He was too beautiful not to enshrine that way – too handsome for words. Sitting on the library steps with his guitar, the case open at his feet he exuded the quintessence of youth, confidence, and sex appeal.

He’d already collected several handfuls of coins and a few bills, and it was barely ten-thirty in the morning. This did not surprise her.

Sleepless

If he were still there when her class was over, she thought, she would introduce herself. Gauge his interest in modeling. As she didn’t have time for even a ‘hello’ right then, she dropped a twenty in the guitar case, and mirrored his grateful smile as she moved beyond him.

The art room was on the third floor of the library building, overlooking the front steps. She could hear the faint notes from his guitar through the open window. They were doing abstracts that week.
“Here’s today’s challenge,” she told the group of first-year students. “Try to depict music through painting.”

After the expected questions about the kind of music and if she meant actual notes or just how music made them feel, questions she’d been fielding for centuries, it seemed, she took up her own notebook and sketched him from memory. It was a decent likeness, but it didn’t do enough justice to his real beauty. If nothing else, she had to see him again.

The steps were empty when she left the building at the end of her day.

But she couldn’t get him out of her mind. She remembered the soft, dark, chocolate of his curly hair, the startling blue of his eyes, and the way his lips formed a perfect, kissable bow. She recalled long, elegant fingers plucking the strings of his acoustic instrument and the definition of his chest beneath the tight T-shirt he’d been wearing.

Every night, she drew him, the details shifting as her memory faded.

Her obsession, however, did not fade. Several weeks after she first saw him on the steps, she caught his image – badly photographed – on a flyer for a local club. She ripped it off the bulletin board and went home to take her first real shower in weeks.

The club was dark and close. The neighborhood was typically seedy. The crowd was almost entirely students, but not, as she’d expected, almost entirely female. She got a glass of wine from the bar – slightly better than the two-buck chuck that had been her mainstay when she was an undergrad – and took a seat in the second row of tables.

The young folk around her sang with him on the choruses, but she was silent, watching him. Memorizing him. During his last song, their eyes met, and she made a gesture, which he answered with a nod. After the show, they met in the alley behind the bar.

“You’re the art lady right? I’ve seen your stuff in the university gallery. I liked it.” His words were casual, but the expression on his face was anything but.

She smiled a slow, seductive smile, and pitched her voice low. “I’m going to make you immortal,” she said, if you let me.”

He kissed her with his perfect mouth.

She took him home to do a lot more than kissing.

She woke before him and used the time to drink in all the details that had begun to seep from her mind. She ran her fingers over his bare skin, memorizing the textures. She leaned over him and inhaled his scent.

She never asked his name. Nor he hers. It didn’t seem to matter.

Heady from sex and the need to truly capture him – perfectly this time – she crept from the bed leaving him in deep sleep. She skipped the sketches, went directly to the canvas. He slept the clock around and she kept painting the whole time.

It became their routine. He played in different bars every night, and she went with him. They went back to her place after, and she painted while he slept.

His mornings came later and later, and her nights grew shorter and shorter.

She was with her nameless musician in her bed and still with him in front of her easel when she crawled out of the covers. She started a second painting, then a third. She stopped going to his gigs – he played for her when he came back every night.

She couldn’t get the paintings right. But she continued to try. She made cups of tea but set them aside to correct a line that was too dark or a strand of hair that wasn’t in the right place, only to pick them up later to find the liquid within cold and bitter. It can’t have been that long… she thought, padding to the kitchen to make another cup.

Her canvases piled up, and when she was out of stretched canvas she pulled the photographs off the wall and started painting him directly on the cracked plaster. She twisted her hair into a messy bun and didn’t even try to scrub the paint from her skin.

When she needed to remind herself of the precise curve of his lips or the exact position of the crease above his left eyebrow, he was there in her bed, a male sleeping beauty waiting for the princess’s kiss.

She forgot to eat until she fainted from hunger. When she pulled herself off the floor she found that the fruit in her bowl had gone rotten. She found a chocolate bar and devoured it then grew giddy from the sudden rush of sugar.

The university contacted her next-of-kin – a niece who was a second-year law student. “Your aunt has missed three classes,” they said. “She didn’t call to cancel. Just stopped showing up.”

“That doesn’t sound like Aunt Lena,” the young woman answered, worry creeping into her voice. “I’ll go to her apartment.” Her boyfriend insisted on going with her.

They found the artist, cold and breathless, on the floor in front of the wall where she’d put the musician’s image. A flyer announcing his gig in a city a thousand miles away was clutched in her stiff hand. Below his image, the name she hadn’t asked for: Endymion.

When the autopsy report came back it said that Professor Selene Perez had died of exhaustion.

Photo by stasia04.

Alligator Rain

Alligator Eyes

“You’ve heard of crocodile tears, right?” she asked him.

They were sitting in her truck, which was parked at the top of the lake’s grassy embankment. The headlights were on low, beaming across the water, where raindrops merged into the eye-shine of alligators.

“Yeah… why?”

“Because this is alligator rain.”

“Alligator… rain? Why? Because it’s thick and heavy?”

She grinned but shook her head. “Nope. It’s because the rolling thunder sounds like a gator bellow…” She gestured toward the water. “… and if you listen really carefully, the alligators will answer the thunder.”

“That’s beautiful… he said. “Beautiful and strange.”

La Vie En Rose

Art by tanatpon13p via 123rf.com

 

Quand il me prend dans ses bras
Qu’il me parle tout bas
Je vois la vie en rose

Another café, another ancient French song wafting out from speakers mounted above the door – why was my handler always asking me to meet in such places? And why did I always agree?

“I’m supposed to be retired,” I told him, by way of a greeting.

He nodded his head in tacit agreement, waving me into the chair opposite his. It was tall, made from faux bamboo, and featured a magenta velvet cushion. “You hate retirement,” he said, after a moment. “You miss the thrill of the chase.”

“You’re the hunter,” I reminded him. “I’m just the closer. And I have other obligations now.”

“Oh, yes. You’re the very picture of domestic bliss. How many teas have you hosted now?”

“One was actually a lunch,” I said. “And the other was a benefit for the Star Navy Office of Rescue and Extraction.”

“Ah, yes, SNORE.” He snorted the last word. “Only the Navy would come up with such an acronym for the operation that saves its citizens left on abandoned or failed colonies.”

“Renato created that unit.”

“Of course. And you’re the dutiful partner, supporting his endeavors.”

“There are worse things I could be doing,” I protested.

“There are also better things.”

A server arrived with two espresso cortados and presented one to each of us. The strong, bitter, slightly chocolaty aroma tickled my nose. I couldn’t resist tasting it, and when I did, my senses came alive. “This is real,” I said. “Not synthesized.”

“Only the best for the best,” he said.

I wanted to push the coffee away, but this man has always known me too well. I take another sip. “Flattery only gets you so far, Mart… what’s this really about?”

“Hatteras Six.”

“The prince?” One of my last gigs for Martigan’s organization had been ensuring that the prince’s marriage to a Betelgeusean princess took place.

“His father. He believes there’s a conspiracy to assassinate him and put his son on the throne, but under Syndicate control.”

“Mart – I can’t. I have a different life now. Besides, the last time I was involved in Hatteran politics, I nearly got killed.” I took another slow sip of the coffee. “Why me?”

“Because you’re the best.”

“So, you’ve said. Martigan…”

“Sasha…” He imitated my tone. Then he sighed. “Don’t you miss it? The adventure? The intrigue? Knowing that you’re changing the galaxy for good?” He paused for a second then added, “me?”

It was the final word that got me. Martigan and I had worked together for years – decades even – and you don’t have a relationship like ours without chemistry – good chemistry. But I’d fallen into the role of his protégé, and he had apparently relished being my mentor. I’d tried to seduce him once when I was much younger, and he’d been kind and gentle when he turned me down, convincing me it was just a workplace infatuation.

Over time, I’d learned to read him. I knew he’d desired me but needed my skills outside the bedroom more. I also knew he had a very particular code of honor… or decorum… that would never have let him act on his desires at the time.

“I didn’t know you felt that way,” I lied.

“Yes, you did.”

Damn him! “Yes, I did,” I agreed. “Why now?”

“Because you really are the best person for this job Sash. The prince knows you – trusts you. The princess won’t see you as a threat.”

If I do this – ” I began.

“- I’ll give you all the support you need,” he finished my thought. “Backup, a ship, everything.”

I smiled. “If I do this, I want you.”

“As a partner? I’m a bit rusty – been behind the scenes too long.”

“No, Mart. I want you.

“And Renato?”

“I’m sure he’ll find someone else to host his teas.”

“So, he is too normal for you!”

“No. Yes. It’s… complicated. Let’s just say, there’s more than one reason we’ve never married.”  I rose, preparing to leave. “You know my terms. You know where I’m staying or can easily find out. Let me know by twenty-two hundred hours tonight.”

He looked up at me and nodded once.

I drained the last of the coffee from my cup, and set it down on the table, then walked out of the café without looking back.

Martigan caught me at the door. I turned to face him, but he didn’t speak. He tilted my chin upward with a single finger and then kissed me. Coffee and pipe tobacco from him, coffee and lipstick from me – a match made in some cheesy dime novel from the back of beyond.

“Is that goodbye?” I asked.

“No. It’s a down payment.”

“I’ll collect the rest tonight,” I said, and continued out of the café though I tossed a final comment back at him. “I’ll still need the backup and the ship.”

The music from the speakers, a woman’s voice thick with emotion, followed me down the street.

C’est lui pour moi, moi pour lui dans la vie
Il me l’a dit, l’a juré pour la vie

* * *

Quand il me prend dans ses bras
Qu’il me parle tout bas
Je vois la vie en rose

Notes: This fic is a sequel to Allez-vous En (Go Away), and is a gift for Tek of NuttyBites.  “La Vie En Rose” was written by Édith Piaf.

The Wisdom of Crocodiles

 

Here is your wisdom, they say as they thrust the young reptile into my arms. Guard its life as you guard your own.

I too am young, and the idea of being responsible for this other life is daunting.

What if I fail?

What if it dies?

Or, what if it grows large and mean and I cannot control it?

White Crocodile by Silviu Sadoschi

My year-mates, my heart sisters and blood brothers,  are also given young reptiles to care for. I see each of them cradling their black-scaled, green-eyed charges. I see blood welling from the arm of my name-twin. Her reptile has not yet been taught to gentle his claws.

My reptile is white, not green, and her eyes glow red like the embers of a fire. They say our reptiles – our crocodiles – are the descendants of Earth’s dinosaurs. But this is not Earth, and I am certain mine is closer akin to dragons. Her claws are light against my skin. Her ectothermic body presses into my chest, seeking heat.

Here is your wisdom, they repeat, and I understand: In caring for our crocodiles we will learn to care for others, and in training them to behave politely, without lunging for food or snapping their heavy jaws, we will learn to temper our wilder urges, to live thoughtful, measured lives.

I hold the white crocodile closer, and I feel her infrasonic rumble move through my bones.

She is my Wisdom

I am her Heart.

When we are both grown, she will return to the waters of the Great River and I will take my place on the village council, but we will still be bound.

They say that our People descended from crocodiles instead of apes.  I cannot be certain of this, but I dream at night of lying in the warm sun on the riverbank, of watching my lover move silently into the darkness, of sliding into the dark water where I am truly free.

It is a dream that feels almost like a memory.

Here is your wisdom, they say yet again, and I give them a half smile, one that doesn’t reveal my teeth.

The white crocodile is my Wisdom.

And I am her Heart.

Art Credit: Silviu Sadoschi – https://www.artstation.com/silviu

A Suit to Die For

Credit: Boris Groh - https://www.artstation.com/borisgroh

Changes in fashion and culture affect everyone. Business attire had grown ever more casual. Flight attendants didn’t have to be stick-thin and perpetually twenty-three anymore. It made sense, then, for the Grim Reaper to rethink his look.

“Don’t get me wrong,” he said to his tailor (a lovely man named Moshe destined to die of heart-failure at the age of fifty-seven.) “Black never goes out of style, but if one more child looks at me and wants to know if I’m the character from Scream I may go mad.”

“Those cloaks always seemed heavy for summer wear,” Moshe agreed. “And hard to keep clean, with the trailing hems and all. You’re supposed to be Grim, not grimy.  Let’s try something simpler. Minimalism is very trendy right now.”

The tailor cut and stitched, measured (more than twice), cut some more, and finally held up the finished uniform. “Try this on, G.R.”

The Reaper went into the dressing room and changed into the new creation. Observing himself in the mirror, he smiled. It wasn’t a pleasant expression; the mirror cracked in response.

“Well,” called Moshe the tailor. “Are you going to let me see?”

The Grim Reaper stalked out to the main room. He always stalked. It was his way. Stalking and looming were two of his signature moves. “You don’t think the bare midriff is a mistake?”

“No, not at all. Do you like it?”

“I do,” the Reaper said. “The tattered shirt feels so breezy, and the trousers fit perfectly and I can move in them. I don’t know what to do about my scythe though. It doesn’t really enhance the look.”

The tailor was silent for a moment, studying him. Then he moved toward the accessory wall of his shop. “I have just the thing,” he said. The Grim Reaper heard different objects being lifted, examined, and tossed aside. “Aha!”

Moshe returned to the fitting area and thrust something into the Reaper’s hand. “This is perfect.”

“A briefcase?” The Reaper pronounced the word slowly, breaking it into its component parts.

“A multidimensional briefcase. It’s got a pocket for your scythe and another, zippered section for storing souls.”

“It’s perfect.” The Reaper folded his scythe into the briefcase. “You have my eternal gratitude.”

“Eternal?” Moshe asked.

The Grim Reaper opened the briefcase once more. “I’m afraid so. Come with me, Moshe. Everything will be alright.”

Moshe never felt his body hit the floor, but the Reaper and the rest of those dwelling in the Afterlife had perfectly tailored clothing for the rest of Time.

Art Credit: Boris Groh – https://www.artstation.com/borisgroh

 

If Only It Would Rain

A Basil and Zoe story, sort of.

Robot head looking front on camera isolated on a black background

 

Her head hurts.

And there’s this weird choking feeling in the back of her throat as if she stuffed grief whole into her mouth but can’t swallow it down where it won’t hurt anymore.

And the storm clouds are overhead, and thickening.

If only it would rain.

She goes through the motions… She meets friends for pedicures, but the colors seem overbright. She makes nice meals for herself, but the food all tastes like sand.

And the sky is black above her, no sun to be found.

Sundays are the worst.

Any other day, she could go up the street to see Sissy or Gina and share a frosted glass of iced tea on the porch or call across the fence to Becca and accept the invitation for a dip in her pool.

But Sundays are family days.

And her family is far away.

And her partner is further away than just “away,” because he’s dead, and she can’t quite wrap her brain around it.

But the sky keeps getting thicker and she can feel it in her brain pressing harder and harder.

She considers traveling, but she’s not ready to leave the house they built together, the things they so lovingly collected (trinkets from a myriad of planets) the bathtub he had installed just for her, because it echoed the one he’d installed in their cabin on the ship.

She considers going back to work, but she’s not ready to face auditions, and she’s spent enough time away that she no longer gets straight-up offers. Or at least, none that don’t repel her.

Her daughter tries to make her smile, asks her to play, demands beach days… and she does her best to be present in those moments, but inside all she feels is numbness, blackness, a void deeper than a black hole.

And the thunder is unceasing.

If only it would rain.

Finding Antares (for Nichelle Nichols)

Nichelle / Uhura

 

The skies are green and glowing,
Where my heart is, where my heart is,
Where the scented lunar flower is blooming:
Somewhere, beyond the stars…
Beyond Antares.

 

To their sisters of the seas, the mermaids of Earth, and their air-breathing landbound human cousins, Antares is the biggest star in the constellation known as Scorpio. Some legends even refer to it as the scorpion’s heart.

It is also the place where the mother-heart of all space sirens beats. When they are created, they are bathed in Antares’s heat. When they love, they are blessed by Antares’ light. And when one of them ends her last dance with the spheres, they escort her home and bid her farewell as she begins a new journey, beyond time, beyond space… beyond Antares.

Astral mermaids are often seen as fictional creations, frivolous fantasy beings who hitch rides on the tails of comets, treat asteroid belts as steppingstones, and slingshot themselves off the rings of planets

They play on a field of immeasurable size, but they also love deeply and when they mourn, it is with reverence and respect, casting a green veil across the starlight with their tears. Sometimes, those tears are visible to mortals. We humans call them the aurora borealis.

Every so often, there is a mortal being inducted into the siren’s sisterhood. Our linear, finite lifetimes necessitate that this happens only when such a person has finished her last song. When that happens, the sirens come to guide her past their mother-heart to a place where time has no meaning.

Forever, as the song goes, is just another journey. Nichelle Nichols, beloved by so many of us here on Earth, is the latest mortal to be invited to take it with the sirens. We wish her well as she moves beyond Antares, surrounded by the love of her family, her friends, and her fans.

Then let the years go fading,
Where my heart is, where my heart is,
Where my love eternally is waiting
Somewhere, beyond the stars…
Beyond Antares.

 

Image Source: e online
“Beyond Antares” written by Wilbur Hatch (music) and Gene L. Coon (lyrics)
“Beyond Antares” performed by Nichelle Nichols

 

4:33

The clock ticks. The countertop herb garden’s pump grinds: it needs more water. The owner of the house grunts slightly as she rises from the couch, which creaks in response. The faucet gushes into life and there is a soft click as the woman fills a plastic pitcher. The rubber cap of the herb garden pops loose. Water dribbles into the dark cistern. Water meeting water  – the splashes are muted by the container. A hiss: the grommet is sealed.

Ping. Pling. Plink. The faucet wasn’t turned off entirely. Drip by excruciatingly slow drip, water meets the metal of the sink basin.

The dog scratches himself, then shakes, ID and rabies tags jingling. He settles onto his bed with a soft flop. Slurping sounds emanate from it as he begins cleaning his privates.

The woman picks up her iPhone and texts a friend. The return sound is a whistle-ping. Ah, she’s using WhatsApp.

bottles-1868175_1920

She is still in the kitchen. She opens the fridge and it, too, emits a soft pop – louder than the herb garden. She stares into the chilly, white, landscape of possibilities. She slides open the deli drawer with a faint sound of metal on plastic, extracts cheese in crinkly plastic, and swings the door shut. A low click means it bounced open again.

A few seconds later, there is beeping from the fridge. The woman takes several seconds to recognize the sound, then bumps the door closed with her hip: a soft thud, followed by a more solid one.

Outside, thunder rumbles. The dog grumbles in response. The woman hushes him.

Another beeping sound begins but it’s external, a neighbor backing their golf cart out of the carport. (The vehicle’s headlights double the illumination in the woman’s house.) The cart whirrrrs into forward motion that fades away.

Birds sing in the trees outside. A sandhill crane calls to its lover. An owl screeches a warning to a squirrel. Lizards come out and make their soft gek-gek-gek sounds. Bug-zappers across the back yard at that neighbor’s place make their distinctive sting-pzzt sound as mosquitoes meet a sudden and violent end.

(No one mourns the mosquitoes.)

Somewhere in the distance, an ambulance siren is heard, the doppler effect obscuring the direction it’s coming from.

Thunder rumbles louder, and there is the electrical crack of a close lightning strike.

The dog whimpers – he hates storms – and the woman picks him up and rocks him like a human infant. His tags and her bangle bracelets click, clack, clank together.

The clock ticks.

Written last summer for Like the Prose 2021. Prompt # 24 – Crossover Art Form
Inspired by composer John Cage’s musical composition of the same name,
in which he simply let the audience listen to ambient noise for four minutes and thirty-three seconds.

Shadow

artist: scaf_oner - https://www.instagram.com/scaf_oner/“I have a little shadow
That goes in and out with me
And what could be the use of him
Is more than I can see.”

“He is very very like me
From his toes up to his head
And I see him jump before me
When I jump into my bed.”

The words of the old Robert Louis Stevenson poem circle through my head in my grandmother’s voice. She used to make me recite them at night… not just “My Shadow” but all those children’s’ verses. We would recite them with Grandpop, too, “to help keep his brain stimulated,” the old woman would say.

In my innocence I had no idea they were meant to be protective spells. I would just become entranced by the rhythms and rhymes and the time spent one-on-one with the old woman. The images would swirl around in my imagination, but I never paid attention to the meanings of the words.

I also had no idea that my grandfather was slowly slipping away from us as Alzheimer’s ate his brain. Some days, he couldn’t remember how the percolator worked. Other days, he couldn’t remember my name.

Then there was the night of the big storm. The power went out and the world felt deadly still without the usual electrical hum that most of us don’t notice til it’s gone.

I saw my grandfather downstairs, checking to make sure all the storm doors were shut, and the windows closed and latched. It struck me as a comforting scene until the lightning flashed outside and cast his shadow – his true shadow – on the wall near my bedroom door.

Looking down, I caught the old man staring at me the way I’d have stared at a chocolate ice cream cone with sprinkles from Carvel.

As if I wasn’t human.

As if I were FOOD.

And his shadow… it looked more like that creature from ALIEN than the old man who happily hunkered down on the floor and played trains with me just a few hours before. And it… it was looking at me, too, the way a predator analyzes its prey.

“Get to bed!” Grandma came out of nowhere to push me back into my room and slam the door shut. “You must never let Grandpop’s shadow touch you.” Unspoken was the other half of the admonition, the half I was still too young to hear: “and never let your shadow cover anyone else.”

Sitting in my bed, in the dark, I noticed that my grandmother’s shadow wasn’t with mine, that only my form showed in silhouette on the bedroom wall. Through the crack under the door, I saw flickering light and comprehension dawned. Her shadow was out there, defending me from my own grandfather’s inner demon.

“Recite,” she ordered, though there was affection beneath her commanding tone. “How do you like to go up in a swing?”

Up in the air so blue,” I dutifully continued. “Oh, I do think it the pleasantest thing, ever a child could do.” The words calmed me. I imagined myself swinging away from the weird shadow battle to a place of peace and light.

When the storm ended and the power returned, Grandpop came to check on us. I checked the wall, and saw the lamplight throwing only the expected, human forms of all of us there. Grandma smiled at him, and said, “It’s alright now.”  And we all went on as if everything was the same as before.

Except… I am  different.

I know things now.

The shadow curse runs in my family – I learned that later – but it’s been steadily weakening from generation to generation.

And the rhymes? They protect us and repel the monsters.

If that seems a bit far-fetched, consider: “Ring Around the Rosie” defines the symptoms of the Plague, and “This Old Man” warns us about a pedophile. “Here We Go ‘Round the Mulberry Bush,” on the other hand,  refers to how female prisoners once got exercise.

My own demon shadow is a rare visitor, a puny and ineffectual thing compared to my grandfather’s.

Still, when the weather guy on tv warns of an impending storm, I sit on my daughter’s bed, take the video game out of her tiny hands, and teach her a rhyme:

“The funniest thing about him is the way he likes to grow—
Not at all like proper children, which is always very slow;
For he sometimes shoots up taller like an india-rubber ball,
And he sometimes gets so little that there’s none of him at all.”

None of him at all… Perhaps by the time my daughter has children, it will be so.

 

*All italicized verses by Robert Louis Stevenson
Art by  scaf_oner