La Vie En Rose

Art by tanatpon13p via 123rf.com

 

Quand il me prend dans ses bras
Qu’il me parle tout bas
Je vois la vie en rose

Another café, another ancient French song wafting out from speakers mounted above the door – why was my handler always asking me to meet in such places? And why did I always agree?

“I’m supposed to be retired,” I told him, by way of a greeting.

He nodded his head in tacit agreement, waving me into the chair opposite his. It was tall, made from faux bamboo, and featured a magenta velvet cushion. “You hate retirement,” he said, after a moment. “You miss the thrill of the chase.”

“You’re the hunter,” I reminded him. “I’m just the closer. And I have other obligations now.”

“Oh, yes. You’re the very picture of domestic bliss. How many teas have you hosted now?”

“One was actually a lunch,” I said. “And the other was a benefit for the Star Navy Office of Rescue and Extraction.”

“Ah, yes, SNORE.” He snorted the last word. “Only the Navy would come up with such an acronym for the operation that saves its citizens left on abandoned or failed colonies.”

“Renato created that unit.”

“Of course. And you’re the dutiful partner, supporting his endeavors.”

“There are worse things I could be doing,” I protested.

“There are also better things.”

A server arrived with two espresso cortados and presented one to each of us. The strong, bitter, slightly chocolaty aroma tickled my nose. I couldn’t resist tasting it, and when I did, my senses came alive. “This is real,” I said. “Not synthesized.”

“Only the best for the best,” he said.

I wanted to push the coffee away, but this man has always known me too well. I take another sip. “Flattery only gets you so far, Mart… what’s this really about?”

“Hatteras Six.”

“The prince?” One of my last gigs for Martigan’s organization had been ensuring that the prince’s marriage to a Betelgeusean princess took place.

“His father. He believes there’s a conspiracy to assassinate him and put his son on the throne, but under Syndicate control.”

“Mart – I can’t. I have a different life now. Besides, the last time I was involved in Hatteran politics, I nearly got killed.” I took another slow sip of the coffee. “Why me?”

“Because you’re the best.”

“So, you’ve said. Martigan…”

“Sasha…” He imitated my tone. Then he sighed. “Don’t you miss it? The adventure? The intrigue? Knowing that you’re changing the galaxy for good?” He paused for a second then added, “me?”

It was the final word that got me. Martigan and I had worked together for years – decades even – and you don’t have a relationship like ours without chemistry – good chemistry. But I’d fallen into the role of his protégé, and he had apparently relished being my mentor. I’d tried to seduce him once when I was much younger, and he’d been kind and gentle when he turned me down, convincing me it was just a workplace infatuation.

Over time, I’d learned to read him. I knew he’d desired me but needed my skills outside the bedroom more. I also knew he had a very particular code of honor… or decorum… that would never have let him act on his desires at the time.

“I didn’t know you felt that way,” I lied.

“Yes, you did.”

Damn him! “Yes, I did,” I agreed. “Why now?”

“Because you really are the best person for this job Sash. The prince knows you – trusts you. The princess won’t see you as a threat.”

If I do this – ” I began.

“- I’ll give you all the support you need,” he finished my thought. “Backup, a ship, everything.”

I smiled. “If I do this, I want you.”

“As a partner? I’m a bit rusty – been behind the scenes too long.”

“No, Mart. I want you.

“And Renato?”

“I’m sure he’ll find someone else to host his teas.”

“So, he is too normal for you!”

“No. Yes. It’s… complicated. Let’s just say, there’s more than one reason we’ve never married.”  I rose, preparing to leave. “You know my terms. You know where I’m staying or can easily find out. Let me know by twenty-two hundred hours tonight.”

He looked up at me and nodded once.

I drained the last of the coffee from my cup, and set it down on the table, then walked out of the café without looking back.

Martigan caught me at the door. I turned to face him, but he didn’t speak. He tilted my chin upward with a single finger and then kissed me. Coffee and pipe tobacco from him, coffee and lipstick from me – a match made in some cheesy dime novel from the back of beyond.

“Is that goodbye?” I asked.

“No. It’s a down payment.”

“I’ll collect the rest tonight,” I said, and continued out of the café though I tossed a final comment back at him. “I’ll still need the backup and the ship.”

The music from the speakers, a woman’s voice thick with emotion, followed me down the street.

C’est lui pour moi, moi pour lui dans la vie
Il me l’a dit, l’a juré pour la vie

* * *

Quand il me prend dans ses bras
Qu’il me parle tout bas
Je vois la vie en rose

Notes: This fic is a sequel to Allez-vous En (Go Away), and is a gift for Tek of NuttyBites.  “La Vie En Rose” was written by Édith Piaf.

Joy in All Things (A Basil and Zoe Story)

Joy In All ThingsStarhaven Transit Station
02:00 hours, local time.

Two in the morning isn’t typically a busy period on a starbase, especially if that starbase is little more than an interstellar transit station in a sector populated mostly by recently admitted members of the Coalition of Aligned Worlds – members whose planets are still dealing with the kind of wars and strife that the Founding Worlds resolved centuries before.

My wrist-comm vibrates against my pulse-point and I flip up the protective cover. As expected, it’s my fiancé, Basil, calling from the C.S.S. Cousteau, his billet, and the closest thing to a permanent home either of us has at the moment.

“Zoe, I am gratified to be speaking with you in real time,” he opens. “Time delayed messages are inefficient and lack feeling.” It’s a two-d image, flat on the tiny display panel.

“No disagreement here,” I respond. “But you were the one who said I should take this gig. ‘Using theatre skills to help flood-displaced children process their trauma would be a useful way to spend your semester break,’ you said. I could be spending the next five weeks doing Shakespeare in the Park on Hunter’s Moon, where there are cafes and restaurants and cushy hotels.”

“You could,” he says, “but you enjoy helping others. And, as I believe you pointed out, the time you spend on Repostus will look good on a resume.”

“There is that,” I agree, my tone slightly rueful. “But at least on Hunter’s Moon you could visit.”

“I miss you also,” Basil says, comprehending the words that were unsaid as well as those that were, and cutting off any further whining from me in the process. “However, assuming that there are no unforeseen events while you are away, your return shuttle will rendezvous with the Cousteau in forty-one days, seven hours, and seventeen minutes.” He leaves off seconds and fractions thereof, but I refrain from commenting on that.

“See you soon,” I say with no little bit of sarcasm in my tone. But the last word becomes a yawn. “I have three more hours to kill. I’m going to find the replimat and a rest pod. I’ll send a message as soon as I’m checked in at the hostel.”

“Very good,” he says. “I love you, Zoe.”

“Love you too,” I answer, flashing him a tired smile. “Harris out.” I cut the channel and snap the copper-colored cover back down.

Two and a half hours later, I’ve napped, washed up, and obtained a café mocha from a kiosk that claims to ‘proudly serve Red Sands Coffee.’ It’s not awful, but it’s not as good as the real thing. Better than the replicator though. My luggage has been checked through, so I only have my daypack and the coffee to deal with as I make my way to the boarding lounge.

Four-thirty in the morning is busier than two o’clock was, and most of the rows of chairs are at least partly occupied. I choose a seat in the front row, next to a conservatively dressed woman who appears to be human, and about the same age as my mother.

She bids me good morning and asks if I’m waiting for the shuttle to New Zaatari, the capital city. Then she says, “You look familiar. Should I recognize you?”

I get that a lot, partly because I’m the daughter of a celebrity composer who’s a bit of a playboy, and partly because I’m engaged to the Star Navy’s only officer who is also a sentient AI, and partly because even though this gig is an unpaid externship I’m doing during the winter intersession of my senior year of university, I’ve had several paid jobs, including a tour with the Idyllwild Theater of the Stars. Translation: for someone who’s not quite twenty-two years old, I’ve been in the press a lot.

Still, I hedge. “Not necessarily.”

“You must be an aid worker then, coming to help with the survivors from the fires?”

The smaller continent on Repostus recently suffered a debilitating drought followed by terrible wildfires, and complicated by floods. It was all comparable than what had happened in California, on Earth, in the first half of the twenty-first century, but on a much wider scale.

“Sort of,” I say. “I’m here with Beyond Theater. We’re going to be working with the kids from Safirah, using theater skills to help them process.”

“Ah, so you’re on a mission! That’s worthy. I, too, am a missionary of sorts.” I open my mouth to tell her that I’m not a missionary, just an actor, and a student, but she goes on. “I travel to planets in strife and bring them the word of The One.”

I can’t help shivering. The last time I encountered someone following ‘the One,’ it was Basil’s twin leading a coalition of artificial intelligences that wanted nothing more than to eradicate all organic life from the cosmos. Never mind that organic life created them and kept the power on.

But this woman isn’t referring to Castor. Instead she was referring to the focus of a relatively recent religious movement. The old religions – Judaism, Islam, Christianity, the Cruastean Practice from the planet Chelea, and many, many more – all still exist, but religious practice has become largely personal. People no longer proselytize, and I don’t remember ever encountering an itinerant evangelist before.

“I didn’t think people still did that,” I tell her.

“I don’t know about ‘people,'” she says. “I only know about myself. Bringing news of The One’s loving kindness to the unenlightened is a personal quest. I used all my personal savings, moving from planet to planet, and when that ran out, I started working odd jobs in exchange for food and transit.”

“That seems like a lot…”

“It is, but my cause is true. If more people truly embodied The One’s teachings, the universe would be a better place.”

I notice, now, that she has a satchel full of data-flimsies, presumably holding religious tracts. She is staring at me, her face open, expectant. “The universe could use more kindness,” I say.

But what I’m thinking is that on one level I agree with her – more loving kindness is never a bad thing, as long as it comes with equal measures of acceptance and understanding. I’m also thinking that I don’t want to tell her I agree with her because she’ll assume that I’m also a follower of The One, and conventional, human, religious practices have proven challenging to mesh into my life with Basil. Not that I’m particularly devout or anything, but I grew up in a family that actually went to church on occasion, and part of me misses the community and the rituals involved.

But this inner dialogue is  actually an improvement over former versions of myself, because two or three years ago what I would have been thinking – and possibly saying aloud – is that this woman is a freaking nutcase with no life.

To her credit, she doesn’t offer me any of her data flimsies. Instead, she says that she’s also going to Safirah, to offer spiritual succor to those who need it. “So many parentless children there, now,” she says, real grief in her voice. “And so many childless parents.”

An announcement for our shuttle – it’s delayed forty-seven minutes – makes her last few words unintelligible.

Curious, and with more time to fill, I ask her, “What motivated you to do this?”

“My husband,” she shares, her voice soft, “and my son. They were both in the Navy and served during the Oligite Invasion. Both their ships were lost.”

I’d been living with my mother on the Cousteau during that war but had been with my father on Centaurus celebrating the winter holidays, and his wedding to my stepfather, at the time. I’d returned home to find my mother injured, and it had been Basil’s support that helped me through it. But I don’t tell her that. I just say, “I’m so sorry.”

“The NFS sent a counselor and a priest, and after spending time with both of them, I reconnected with the teachings of The One,” she explains. “My family was fairly religious when I was young, but I’d lost my way, as so many do.”

I’m distracted by the sight of a family with three children and a luggage pile you could build a fortress from attempting to navigate through the increasingly crowded lounge. The adults in the group are both wearing the uniform of the Coalition Medical Service. They were probably reassigned to Repostus because of the extreme need for doctors. I think about the two bags that are being routed to the shuttle for me – a privilege accorded to me because of my Navy fiancé – one of which is stuffed full of packaged chocolates and hard candies from Earth and Centaurus. My cheeks flush with embarrassment and guilt. Sure, the snacks are meant to share, but I could easily manage with far less than I brought.

My new friend follows my gaze. “Packing light is a skill taught by necessity. They should be grateful they have so much to carry.”

“I’d never thought of it that way.”

“I learned it the hard way.”

We chat for a few more minutes, and then the shuttle finally opens for boarding.

“Thank you for the conversation,” she tells me. “You will be doing a good thing, a worthy thing. It will be hard at times, but there will be moments of joy. Remember that The One teaches that it’s right to embrace joy wherever we encounter it.” And I can tell that she really means the words she’s spoken. Then she glances down at my left hand, where my engagement ring gleams against my vacation-tanned skin. “Your partner must be proud of you. Lean on that when you miss him.”

I realize that I hadn’t mentioned Basil or having a partner, and I suddenly wonder if I should be checking to see if she filched my identi-chit while we were talking. Shaking my head, I stand up, sling my pack over one shoulder and step toward the open hatchway that leads to the shuttle. It strikes me that we’d never exchanged names, and I turn back to ask for hers and offer mine, maybe see if our seats are close together, but the chair she had occupied is empty, and I don’t see her walking away.

Shrugging, I let the gate attendant scan my chit and I take my seat on the shuttle, but I can’t shake the woman from my mind, and when they close the hatch for launch, I ask the onboard attendant if anyone is missing.

“Nope, everyone’s checked in,” she says.

Basil often reminds me that the universe is full of strange things, and not all of them are massive events. I resolve to think of the evangelist as one of them. I further resolve to take her advice during these five weeks of separation from my partner: find joy in all things.


Notes: New Zaatari is named after a city in Jordan, where Clowns Without Borders spent time with Syrian refugees. Safirah is named after a city in Syria. This piece was partly inspired by their work. Thanks to Fran for naming Repostus and CJ for naming Starhaven.

 

The Wisdom of Crocodiles

 

Here is your wisdom, they say as they thrust the young reptile into my arms. Guard its life as you guard your own.

I too am young, and the idea of being responsible for this other life is daunting.

What if I fail?

What if it dies?

Or, what if it grows large and mean and I cannot control it?

White Crocodile by Silviu Sadoschi

My year-mates, my heart sisters and blood brothers,  are also given young reptiles to care for. I see each of them cradling their black-scaled, green-eyed charges. I see blood welling from the arm of my name-twin. Her reptile has not yet been taught to gentle his claws.

My reptile is white, not green, and her eyes glow red like the embers of a fire. They say our reptiles – our crocodiles – are the descendants of Earth’s dinosaurs. But this is not Earth, and I am certain mine is closer akin to dragons. Her claws are light against my skin. Her ectothermic body presses into my chest, seeking heat.

Here is your wisdom, they repeat, and I understand: In caring for our crocodiles we will learn to care for others, and in training them to behave politely, without lunging for food or snapping their heavy jaws, we will learn to temper our wilder urges, to live thoughtful, measured lives.

I hold the white crocodile closer, and I feel her infrasonic rumble move through my bones.

She is my Wisdom

I am her Heart.

When we are both grown, she will return to the waters of the Great River and I will take my place on the village council, but we will still be bound.

They say that our People descended from crocodiles instead of apes.  I cannot be certain of this, but I dream at night of lying in the warm sun on the riverbank, of watching my lover move silently into the darkness, of sliding into the dark water where I am truly free.

It is a dream that feels almost like a memory.

Here is your wisdom, they say yet again, and I give them a half smile, one that doesn’t reveal my teeth.

The white crocodile is my Wisdom.

And I am her Heart.

Art Credit: Silviu Sadoschi – https://www.artstation.com/silviu

A Suit to Die For

Credit: Boris Groh - https://www.artstation.com/borisgroh

Changes in fashion and culture affect everyone. Business attire had grown ever more casual. Flight attendants didn’t have to be stick-thin and perpetually twenty-three anymore. It made sense, then, for the Grim Reaper to rethink his look.

“Don’t get me wrong,” he said to his tailor (a lovely man named Moshe destined to die of heart-failure at the age of fifty-seven.) “Black never goes out of style, but if one more child looks at me and wants to know if I’m the character from Scream I may go mad.”

“Those cloaks always seemed heavy for summer wear,” Moshe agreed. “And hard to keep clean, with the trailing hems and all. You’re supposed to be Grim, not grimy.  Let’s try something simpler. Minimalism is very trendy right now.”

The tailor cut and stitched, measured (more than twice), cut some more, and finally held up the finished uniform. “Try this on, G.R.”

The Reaper went into the dressing room and changed into the new creation. Observing himself in the mirror, he smiled. It wasn’t a pleasant expression; the mirror cracked in response.

“Well,” called Moshe the tailor. “Are you going to let me see?”

The Grim Reaper stalked out to the main room. He always stalked. It was his way. Stalking and looming were two of his signature moves. “You don’t think the bare midriff is a mistake?”

“No, not at all. Do you like it?”

“I do,” the Reaper said. “The tattered shirt feels so breezy, and the trousers fit perfectly and I can move in them. I don’t know what to do about my scythe though. It doesn’t really enhance the look.”

The tailor was silent for a moment, studying him. Then he moved toward the accessory wall of his shop. “I have just the thing,” he said. The Grim Reaper heard different objects being lifted, examined, and tossed aside. “Aha!”

Moshe returned to the fitting area and thrust something into the Reaper’s hand. “This is perfect.”

“A briefcase?” The Reaper pronounced the word slowly, breaking it into its component parts.

“A multidimensional briefcase. It’s got a pocket for your scythe and another, zippered section for storing souls.”

“It’s perfect.” The Reaper folded his scythe into the briefcase. “You have my eternal gratitude.”

“Eternal?” Moshe asked.

The Grim Reaper opened the briefcase once more. “I’m afraid so. Come with me, Moshe. Everything will be alright.”

Moshe never felt his body hit the floor, but the Reaper and the rest of those dwelling in the Afterlife had perfectly tailored clothing for the rest of Time.

Art Credit: Boris Groh – https://www.artstation.com/borisgroh

 

If Only It Would Rain

A Basil and Zoe story, sort of.

Robot head looking front on camera isolated on a black background

 

Her head hurts.

And there’s this weird choking feeling in the back of her throat as if she stuffed grief whole into her mouth but can’t swallow it down where it won’t hurt anymore.

And the storm clouds are overhead, and thickening.

If only it would rain.

She goes through the motions… She meets friends for pedicures, but the colors seem overbright. She makes nice meals for herself, but the food all tastes like sand.

And the sky is black above her, no sun to be found.

Sundays are the worst.

Any other day, she could go up the street to see Sissy or Gina and share a frosted glass of iced tea on the porch or call across the fence to Becca and accept the invitation for a dip in her pool.

But Sundays are family days.

And her family is far away.

And her partner is further away than just “away,” because he’s dead, and she can’t quite wrap her brain around it.

But the sky keeps getting thicker and she can feel it in her brain pressing harder and harder.

She considers traveling, but she’s not ready to leave the house they built together, the things they so lovingly collected (trinkets from a myriad of planets) the bathtub he had installed just for her, because it echoed the one he’d installed in their cabin on the ship.

She considers going back to work, but she’s not ready to face auditions, and she’s spent enough time away that she no longer gets straight-up offers. Or at least, none that don’t repel her.

Her daughter tries to make her smile, asks her to play, demands beach days… and she does her best to be present in those moments, but inside all she feels is numbness, blackness, a void deeper than a black hole.

And the thunder is unceasing.

If only it would rain.

Finding Antares (for Nichelle Nichols)

Nichelle / Uhura

 

The skies are green and glowing,
Where my heart is, where my heart is,
Where the scented lunar flower is blooming:
Somewhere, beyond the stars…
Beyond Antares.

 

To their sisters of the seas, the mermaids of Earth, and their air-breathing landbound human cousins, Antares is the biggest star in the constellation known as Scorpio. Some legends even refer to it as the scorpion’s heart.

It is also the place where the mother-heart of all space sirens beats. When they are created, they are bathed in Antares’s heat. When they love, they are blessed by Antares’ light. And when one of them ends her last dance with the spheres, they escort her home and bid her farewell as she begins a new journey, beyond time, beyond space… beyond Antares.

Astral mermaids are often seen as fictional creations, frivolous fantasy beings who hitch rides on the tails of comets, treat asteroid belts as steppingstones, and slingshot themselves off the rings of planets

They play on a field of immeasurable size, but they also love deeply and when they mourn, it is with reverence and respect, casting a green veil across the starlight with their tears. Sometimes, those tears are visible to mortals. We humans call them the aurora borealis.

Every so often, there is a mortal being inducted into the siren’s sisterhood. Our linear, finite lifetimes necessitate that this happens only when such a person has finished her last song. When that happens, the sirens come to guide her past their mother-heart to a place where time has no meaning.

Forever, as the song goes, is just another journey. Nichelle Nichols, beloved by so many of us here on Earth, is the latest mortal to be invited to take it with the sirens. We wish her well as she moves beyond Antares, surrounded by the love of her family, her friends, and her fans.

Then let the years go fading,
Where my heart is, where my heart is,
Where my love eternally is waiting
Somewhere, beyond the stars…
Beyond Antares.

 

Image Source: e online
“Beyond Antares” written by Wilbur Hatch (music) and Gene L. Coon (lyrics)
“Beyond Antares” performed by Nichelle Nichols

 

Shadow

artist: scaf_oner - https://www.instagram.com/scaf_oner/“I have a little shadow
That goes in and out with me
And what could be the use of him
Is more than I can see.”

“He is very very like me
From his toes up to his head
And I see him jump before me
When I jump into my bed.”

The words of the old Robert Louis Stevenson poem circle through my head in my grandmother’s voice. She used to make me recite them at night… not just “My Shadow” but all those children’s’ verses. We would recite them with Grandpop, too, “to help keep his brain stimulated,” the old woman would say.

In my innocence I had no idea they were meant to be protective spells. I would just become entranced by the rhythms and rhymes and the time spent one-on-one with the old woman. The images would swirl around in my imagination, but I never paid attention to the meanings of the words.

I also had no idea that my grandfather was slowly slipping away from us as Alzheimer’s ate his brain. Some days, he couldn’t remember how the percolator worked. Other days, he couldn’t remember my name.

Then there was the night of the big storm. The power went out and the world felt deadly still without the usual electrical hum that most of us don’t notice til it’s gone.

I saw my grandfather downstairs, checking to make sure all the storm doors were shut, and the windows closed and latched. It struck me as a comforting scene until the lightning flashed outside and cast his shadow – his true shadow – on the wall near my bedroom door.

Looking down, I caught the old man staring at me the way I’d have stared at a chocolate ice cream cone with sprinkles from Carvel.

As if I wasn’t human.

As if I were FOOD.

And his shadow… it looked more like that creature from ALIEN than the old man who happily hunkered down on the floor and played trains with me just a few hours before. And it… it was looking at me, too, the way a predator analyzes its prey.

“Get to bed!” Grandma came out of nowhere to push me back into my room and slam the door shut. “You must never let Grandpop’s shadow touch you.” Unspoken was the other half of the admonition, the half I was still too young to hear: “and never let your shadow cover anyone else.”

Sitting in my bed, in the dark, I noticed that my grandmother’s shadow wasn’t with mine, that only my form showed in silhouette on the bedroom wall. Through the crack under the door, I saw flickering light and comprehension dawned. Her shadow was out there, defending me from my own grandfather’s inner demon.

“Recite,” she ordered, though there was affection beneath her commanding tone. “How do you like to go up in a swing?”

Up in the air so blue,” I dutifully continued. “Oh, I do think it the pleasantest thing, ever a child could do.” The words calmed me. I imagined myself swinging away from the weird shadow battle to a place of peace and light.

When the storm ended and the power returned, Grandpop came to check on us. I checked the wall, and saw the lamplight throwing only the expected, human forms of all of us there. Grandma smiled at him, and said, “It’s alright now.”  And we all went on as if everything was the same as before.

Except… I am  different.

I know things now.

The shadow curse runs in my family – I learned that later – but it’s been steadily weakening from generation to generation.

And the rhymes? They protect us and repel the monsters.

If that seems a bit far-fetched, consider: “Ring Around the Rosie” defines the symptoms of the Plague, and “This Old Man” warns us about a pedophile. “Here We Go ‘Round the Mulberry Bush,” on the other hand,  refers to how female prisoners once got exercise.

My own demon shadow is a rare visitor, a puny and ineffectual thing compared to my grandfather’s.

Still, when the weather guy on tv warns of an impending storm, I sit on my daughter’s bed, take the video game out of her tiny hands, and teach her a rhyme:

“The funniest thing about him is the way he likes to grow—
Not at all like proper children, which is always very slow;
For he sometimes shoots up taller like an india-rubber ball,
And he sometimes gets so little that there’s none of him at all.”

None of him at all… Perhaps by the time my daughter has children, it will be so.

 

*All italicized verses by Robert Louis Stevenson
Art by  scaf_oner

Hot Toddy, Cold Ground

CreativeFest

 

The ground was moist from recent rain, but she’d brought one of the thick, wool blankets from the old cedar chest and it was enough to keep her dry. She sat down on the folded fabric and pulled the thermos from inside her cloak.

There was barely any moon, just enough to let the gravestones show as reverse silhouettes – pieces cut out from the surrounding dark. Pieces that seemed to exist in a world where the light never reached.

Cemetery at by ELG21 via Pixabay

Or maybe that was her grief speaking.

It had been years since she’d lost him, not to any plague or pandemic, but to the very mundane condition of extreme old age. He’d admitted to being ninety; she had been certain he was over one hundred when he died.

Not that it mattered anymore.

She lit a candle and placed it on top of his stone. Then she opened the thermos and poured steaming liquid into the cup that was also the lid. The first pour, she gave to the ground, and the scent rose around her: cinnamon, cloves, alcohol, damp earth.

The second pour was hers to drink. She lifted the plastic vessel toward the gravestone in a toast and forced a smile. “I brought your hot toddy, Granddad, just like always.”

Spiced tea, honey, and bourbon warmed her from the inside out. Between sips she told her grandfather what had changed in her life since her last visit.

When the candle flickered out, she drained the last of her drink, replaced the lid, and rose to leave. Folding the damp blanket over her arm, she bid a final. “Good night, Granddad. I love you. See you next year.”

She walked away, unaware that, beneath the bourbon-laced earth, frail, fleshless hands were reaching upward, and a withered, rasping voice was speaking.

“Love you too, kiddo.”


Written for the October 2021 #Creativefest. Prompt: silhouette.
Special thanks to Fran H. for a line suggestion.

 

But Old Towns Are Always Haunted, Aren’t They?

CreativeFest

That one stretch of Highway 75 across the corner of Nebraska between the Kansas Turnpike and the turnoff to cross the river and connect with I-29 always spooked her.

When she made the trip alone, she would make sure she had enough gas to drive that section of her journey without having to stop. When she was with her partner, she still got the heebie-jeebies, but at least she had another human being, real and alive, sitting next to her.

Ralph's Market by Daniel RitterSometimes, she even let him drive.

“I’m just going to shut my eyes,” she’d say, even though they both knew she never slept in cars. “Wake me when we get to that rest-stop with the fancy Japanese toilets.”  She’d pop headphones in her ears, and squinch her eyes shut, and pray she could keep them that way until they’d crossed the Iowa state line.

Invariably, though, she would wake up just as the speed limit slowed and the road narrowed to two lanes as it crept through the old town.

Tonight, they hit that part of the trip just as the sun was setting, and she couldn’t help but watch as the dying rays illuminated the creaky old buildings with their ghost signs still evident on long-derelict buildings.

“You okay?” her husband asked, more focused on the road ahead than on her.

“Yeah. I just… this town makes me sad.”

Sad was an understatement. She could feel the neglect like a weight upon her shoulders. The town had been cute once – the remnants of it were still here – the old bones of a place that was too far from any city to be a suburb, and too small to thrive.

The post office was little more than a phone booth – or maybe one of those roadside ice cream stands that are only open in summer. She imagined Ralph, from the market still bore his name even though it was long since closed (replaced by a Walmart up at the crossroads between this tiny town and the next), rushing over to handle the mail or sell some stamps in between customers picking up their grocery orders.

She could almost hear the happy voices of children playing tether ball in the yard of the schoolhouse across the street – the school that no longer hosted lively classrooms. A few windows were broken, and the chains for the balls hung limply.  Probably the kids would have trooped over to the market when they were done playing, and spent their allowances on penny candy and the kinds of pop they didn’t sell much anymore: Mr. Pibb, RC Cola, Grape NeHi.

Up at the corner, the motel still had lights on, and one lonely car was parked in the criss-cross of broken paint lines that was its parking lot, right in front of the payphone – an actual payphone! – and the sign promising free ice. Those lights were a beacon to her, a sign that the oldest part of the town was behind them, and the next block would hold the Tast-e-Freeze and Dog House  – two stops on an endless march of fast food.

They waited at the light – the only one in town, and she could have sworn she saw shadowy figures in the background, the essences of the people who had lived and worked here once upon a time, but then the red switched to green, and she realized it must’ve been a trick of the light.

Still, she shuddered, glad they were back up to speed.

Old towns always made her feel like someone was watching her.

And who knows? Maybe they were. Old towns are always haunted, aren’t they?


Photo credit: Daniel Ritter
Written for October 2021 #CreativeFest. Prompt: Ghost

 

La Signora della Luna

CreativeFest

 

When I was little, my grandmother kept the moon in a glass on her bedside table. She kept her teeth in another glass right next to it.

girl-5760295_1280I always wondered what would happen if she mixed them up, and put the moon in with the fizzy tablet that cleaned her teeth. Would it wipe away all the craters? Chase away the mares and level the Archimedes mountains?

But she never mixed the glasses.

I asked her once, why she trapped the moon that way. She told me that after my grandfather left this world, she was lonely. During the day, she had friends and neighbors to visit with, and family to talk to on the phone. But in the deep, darkness after bedtime, she missed having someone right there, with their head on the pillow next to hers, to share her thoughts with.

“But don’t people miss the moon, when you have it in the glass?” I’d asked.

“Oh, no,” she said. “Because the moon isn’t just the moon;  it’s the quiet listener we all need from time to time. I have the moon in this glass, and we talk, and then the moon goes to the next person who needs it, and I drink the moon-water.”  She paused and smiled at me, and her teeth were shiny in her mouth, in a way they never were in the glass. “The moon-water is what makes it possible. Your grandfather used to snatch the moon from the sky when we was away at war, and keep it in his canteen.”

“He didn’t!”

“He did. He sent me a drawing of it, once. I think it’s in the bottom drawer of my bureau.”

I went to the bottom drawer, the one where my grandmother kept her treasures and found the manila envelope of my grandfather’s drawings. We never found the picture of the moon in his canteen, but we flipped through pages showing the anatomy of flowers and insects in textbook detail, and a sketch he drew of my grandmother when they were young and newly married. He’d written La Signora della Luna in the top margin. It meant “Lady of the Moon.”

“Would the moon listen to me, if I needed to?”

“Maybe.” My grandmother rarely gave definitive answers. “If the mood was right and you asked politely.”

Of course, I resolved to ask.

I tried and tried – constantly that summer, and less frequently as the years turned and I grew older. In time, I forgot all about the moon being in my grandmother’s water-glass, and when I did remember, I assumed it was a trick of the light, a reflection shining through her window.

But after she left this world to go be with my grandfather again, I found the thick, heavy glass in a box of things to be donated, and I asked my mother if I could have it.

“I guess so,” she said, puzzlement in her voice. “But it’s just one glass. We were never sure, but we think she took it from the Officer’s Club dining room.”

That didn’t surprise me. My grandmother had many mysterious acquisitions among her belongings: a tiny milk pitcher from a favorite bed and breakfast, one purple satin shoe, a pair of gold bracelets that didn’t seem big enough for even her tiny wrists, yet somehow, magically, she managed to wear. A stray glass was nothing by comparison.

Except that I knew the secret.

Alone at home, a year and a day after the funeral, I filled that glass with water and put it on my bedside table. I wasn’t even thinking about a possible lunar visitation. I just remembered that it had been hers.

That night, I dreamed of my grandmother, not the way she’d been in the last years before her death, but vibrant and relatively young the way she’d been when I was little. Her cheeks were barely lined then, and her eyes were bright and shining. She didn’t speak to me, but I felt the edge of the bed dip when she sat down, and I smiled at the touch of her cool fingers on my forehead.

I woke up to dim light, certain that I could detect her rose-scented perfume in my room. Reaching for the water glass on my table, I froze. Because instead of just water, the moon was there, just floating as if it belonged there instead of the sky.

Moon-water doesn’t taste any different from plain old drinking water,  I discovered later. But drinking it makes you feel lighter inside. It’s as if gravity isn’t pulling on you quite as hard as it should.

And the moon… well, it’s an excellent listener. It never talks back, of course, but the next morning I always wake up with an answer to whatever problem I had told it about.

I bet if I had a lover who could draw, instead of one who played music, he’d call me the Lady of the Moon, now, and I guess that’s how it should be. I don’t have a granddaughter to pass my legacy to, but one of my nieces has the soul of a dreamer. Maybe I’ll ask her what she sees in the glass, next time she spends the night.

My grandmother used to keep the moon in a glass of water on her bedside table. Now it’s my turn.


#Written for the October 2021 #Creativefest. Prompt: Moon.