Mermaid Meditations 001 – The Reef

Image by Leandro De Carvalho from Pixabay

“She looks so natural,” I hear my aunt say.

“I can’t believe she’s only two hundred,” my grandmother replies.

“That color really isn’t her best look, though,” my mother adds, and she’s right, because where once our dearly departed was rosy pink and bright orange with streaks of green and blue, now she’s a dismal, ashy grey.

“Why do we keep coming to these things?” I hear my father mutter to my uncle.

“Family obligation, I guess,” my uncle answers back.

I move away from the crowd, end up crashing fins with three of my cousins. Bubbles are suddenly everywhere, and it takes me a moment to re-orient myself. One of them, Red, a couple of cycles older than me, waits to make sure I’m alright. The other boys swim off, giggling. I guess it’s good that someone can still laugh.

“You okay, Starfish?”

“My name is Estrella,” I remind him.

“Estrella de Mar,” he responds. “Star of the sea… but in one of the human languages, they say ‘starfish,'”

“Human languages are complicated,” I grouse.

Red grins. “Humans are complicated. They claim they love the ocean, but then they do this…” He waves his hand toward the grey mass where the aunties are still gathered.

“Kill our reefs, you mean? I don’t think they do it intentionally. And a lot of them are trying to reverse the damage being done.”

“Yeah,” he says.

“Yeah,” I answer.

“It’s time!” I hear my grandmother announce.

“Let’s go!” Red grabs my hand, and we swim back into the school of merfolk.

“Mermaid tears,” Grandmer says,  “are the only thing that can heal a dead reef. Everyone, summon your sadness, but also summon your hope.”

One at a time, from oldest to youngest, we swim along the gray reef, and let our tears cleanse the water around her, bringing back the shrimp and krill, willing the restoration of color.

Some people say that the reef is the godmother of all mermaids. Some people think something about her let us become real, instead of merely existing in the tall tales of sailors and the dreams of children.

In this case, the only truth that matters is this: The coral reef is where we begin, and where we end. She is our first home and our last. The least we can do is give back what we were given.

Image by Leandro De Carvalho from Pixabay

Daedalus, Diminished

a companion piece to “Icarus, Descending”0189 - Icarus via Flash-Prompt

 

 

He had been a maker, once.

Architect. Designer. Engineer. Dreamer. He’d done it all.

Create a labyrinth for the beast enslaved by a king? No problem. Twist it so tightly it folded back on itself, so even he — the architect — could not guarantee a swift escape. Or any escape at all.

Build an animatronic bull convincing enough to seduce a goddess? He managed that too. Real skin stretched over the frame, hooves painted so they weren’t too glossy, musk sprayed beneath the hide. She couldn’t help but fall for it. Good thing she preferred the strong, silent type — even in bovine form.

Find a way to fly?

(To fly. To flit. To flee.)

Wax and feathers on a wire frame. Powered by muscle, guided by will. Biceps and triceps had to be strong, but the secret was the core.

Always the core.

And his son’s core had been soft. Not the body, but the part that governed common sense. The part that listened. The part that followed instruction.

Those strengths were black and mushy. Neither balanced enough to hold steady, nor strong enough to persevere.

Well. His son was free now.

Free from earthbound constraint. Free from law and weight. Free from blood, breath, bone.

And Daedalus himself?

He was trapped in a labyrinth with no exit, one constructed entirely in his mind. His minotaur was no raging half-man, but a beast made of grief and guilt. It hunted him through endless corridors of memory, always driving him back into fire, into saltwater, into the bitter tang of loss.

He had been a maker once.

Before.

Now?

Now he was just an old man with nothing left to live for, pacing the deserted beach of his own sorry soul.

Revised 24 August 2025