Tag Archives: christmas

Pay No Attention to the Chipped Nail Polish

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coffee cup ring Pay no attention to the chipped nail polish evident on my pinky. Instead, pay attention to the ring. My ring. My wonderful, silver, steaming-coffee ring.

I’d seen it on Facebook months ago, as had my mother, but had no idea where to get one. Imagine my surprise when my mother, grinning in that gushy way that only mothers can, presented me with a wrapped box on Christmas morning. “What does the card say?” she prompted, unbridled glee evident on her face.

“‘To my favorite coffee companion,’” I read aloud. Coffee has been a ‘thing’ for my mother and me ever since she would spoon a couple of teaspoons of her coffee into my milk on special mornings. These days our coffee dates are mostly virtual, because of geographical limitations, but no less special.

I opened the box, as I always do, with efficient ripping of paper. I will never be one of those people who saves every precious piece of tissue. (Except, well, this year I did make people return their tissue, since I had to throw away all the old tissue I’d used to wrap my ornaments after the horrifying mildew incident.) I believe wrapping paper is meant to be ripped. It’s even better when you get to hear that satisfying tearing of the paper – tissue doesn’t make that sound half as well as sturdier paper.

Inside a bag, inside the box, was this ring. A ring I’ve secretly coveted for months. A ring I never expected to find on Christmas morning.

“I love it,” I told my mother. “Where did you find it?”

“I saw it on Facebook,” she said. “And a friend knew a jewelry maker, who made copies.”

“Isn’t that illegal?” I asked, not that I had any intention of returning the ring.

“Actually,” my mother said, “it’s not. You can’t copyright design.”

So, pay no attention to my hands that were badly in need of moisturizer and a warm mug to hold, and look instead at the awesome gift I got, one among several awesome, special gifts, of which the greatest was sharing the holiday with family.

Pay no attention to the chipped nail polish either (I haven’t had TIME to get a mani-pedi in forever.)

Instead, pour a mug of something warm and tasty, and join me in toasting the people you love.

Human Moments and High Percentage Choices

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Blue Christmas

Sometimes leaving all of your visiting family at home and heading out to midnight mass is a high percentage choice.

2:00 AM. Christmas Morning.
We arrived home from the late service at St. Alban’s at the Theatre just as the rain was beginning to fall, and the thunder and lightning hailed our arrival even before the dogs started barking their greeting. (The last three words are unofficial, and I add them here simply because, to me, the fact that this church meets in a theater is somehow appropriate. Theater celebrates words, and church the Word made flesh, and yes, my metaphor needs work, but really, how lucid are YOU at this hour? And besides who’s to say a theater is any less sacred a space than the Of-the-Meadow or In-the-Woods spaces we’re accustomed to seeing?)

If I had to pick one word to describe my feeling at the end of this “midnight” mass, it would be the one I used with Mother Melanie: satisfying. Just as a really good meal leaves you neither still hungry nor over-stuffed, so, too, does a really good church service. And tonight’s service, while a little unconventional, was really good. Really…satisfying.

I think what I responded to the most were the human moments. Tonight’s service was mostly a cappella, and before the actual mass, there was a time of carol singing, led by the clergy sitting at the foot of the stage, asking for the congregation to choose the songs to be sung. (My favorites are not easily sung unless you know them – “Once in Royal David’s City,” for example – so I didn’t make suggestions – but I was silently thanking previous choir directors (Clyde Putman, Glorian Mulligan Stratton) for their attention to sight-singing and a cappella work, because while I “know” most all the songs we did tonight in the caroling and during the Eucharist, some I’d only ever sung alto on, and one was completely unfamiliar.)

But in addition to the singing, there were other human moments, like watching three young men (young enough to retain traces of childhood in their faces) singing “O Come All Ye FaithFul,” or listening to a guitar duet of “Silent Night,” or a delightful Oboe solo. Or even the moment when a phone went off and it turned out to be Mother Melanie’s own. After watching UUCOC move from a church full of such moments to one where even applause was discouraged, and people were required to “applaud” in ASL, it is these moments – spontaneous applause, appreciative chuckling, reverent irreverence – that really make a church feel comfortable to me. I like the ritual of high church, but I like the ease that comes from accepting that we are all human, all flawed.

I guess these moments sort of make me feel like God is the Ultimate Improvisor, and that when we allow ourselves to simply BE we are playing along in the grand game of “Yes, And.” (Lately, everything has come back to improv for me, which is weird, because I haven’t actually DONE any formal performances in well over a year.)

So, yes, I like this St. Alban’s-at-the-Theatre immensely. AND I got to do one of the readings tonight, which was almost like a Christmas present because I’ve always wanted to do that. AND I got to sing with Fuzzy in church tonight, which is another thing that always makes me feel grounded and centered. AND the people in this congregation are so warm, smart, funny and engaging that we hung out til one AM chatting even though we meant to linger for only a few minutes (AND they sent me home with leftover wine). AND I want to go back.

I’m never sure if God has a specific plan for me, or not. (See that bit about improv, again.) I’m still learning how to discern that still, small voice inside myself and, even more, to actually listen to it.

But as we drove home, I realized I felt completely at peace and connected with the world. True, a good part of that feeling was Christmas magic, but an equal measure was the result of feeling like I was answering a quiet call.

Whether it’s playing a specific character on stage, or feeling the click of satisfaction after mass, going with your gut instinct is usually a high percentage choice. And those human moments? They’re just another kind of Truth, and the best comedy – the best ART – always comes from a place of Truth.