Tuneful Tuesday: Time After Time

I was watching Julie & Julia again yesterday because I didn’t feel well and wanted something comforting to watch, and Meryl Streep does such a great job of playing Julie Powell’s version of Julia Child that the film is worth re-watching.

Also, I’ve been reading a memoir about a woman’s adventures with the different sweet shops in Paris (and New York) and since I couldn’t convince Fuzzy to go buy me a chocolate croissant, watching people enthuse about amazing food was almost as good.

(Fuzzy threatened to take away the book if I didn’t stop whining about croissants. Then he offered to get some from the grocery store. GROCERY STORE CROISSANTS? UGH!!!!!)

But then the soundtrack to the film captured my attention, and I realized that one of my favorite entries from the Great American Songbook is in it: “Time After Time.”

Shirley Bassey does not sing it in the movie.

But she did sing it.

And just as there’s no such thing as too much butter, there’s also no such thing as too much Bassey.

Enjoy:

Perfect Moments in Pretty Cups

wedgewood-espresso When my parents came for Christmas, they brought with them a very special gift. It wasn’t a Christmas gift, mind you, but a we-want-you-to-have-this-now-so-we-can-see-you-enjoy-it kind of gift, mixed with a dash of stop-whining-about-not-having-pretty-demitasse.

The gift in question, pictured in this post, is a set of four Wedgewood espresso mugs with matching saucers, which originally belonged to a woman our family always referred to as “Auntie Annette,” and from whom I got my middle name.

Annette, of course, isn’t technically a relative at all, but an ‘affectionate’ auntie, one of my grandmother’s best friends from during my grandfather’s active-duty military days. My memories of her are dim, though I last saw her when I was nineteen or twenty, at my actual aunt’s house in Connecticut. I remember her as having perfectly coiffed, gray hair that, despite the faded color, was incredibly healthy. And I remember that she was honest, but honest from a place of kindness. And I remember that she always smelled really good.

Mostly, though, I remember her dogs. Or at least one of them. She always had a toy poodle, often a “pocket toy,” generally black, often given the same name – Nanette.

How can you not love a woman who sipped espresso from Wedgewood cups and owned dogs?

These mugs aren’t my only connection to this woman who was much more involved in my mother’s life (and the lives of her sisters) than in mine. Upstairs in the Word Lounge, I have a copy of a book I’ve had since I was six: A Very Young Dancer, about a young girl named Stephanie who is chosen (hand-picked by George Balanchine, actually) to play Marie in the New York City Ballet production of The Nutcracker. (Stephanie’s story (click here) is not all sunshine and flowers – if you loved the book as much as I did – and still do – you might want to skip the link.)

And there are a couple of scarves and a hat in boxes that came to me through my grandmother.

But the mugs…the mugs are the thing I’m really excited and touched to have, partly because my mother brought them to me, after they traveled with her to Mexico over a decade ago, and has used them, and partly because they have a sense of family history that a book about people I don’t actually know can never have.

As I write this, my espresso machine is gurgling, sending a perfect shot into one of these cups. The sun has just broken through the clouds after three days of grey skies and two days of nonstop rain (which we needed, but still…) and there’s a cardinal singing a happy morning tune in the tree outside my kitchen.

Sometimes, all it takes for a perfect moment is a shot of espresso in a pretty cup.

Finding my Zip

I’ve been in a kind of funk the last couple of days. I haven’t had a true migraine, just tension headaches and feeling really tired. I was up at 7:30 this morning, but then I went back to bed at 9:30 because I was so exhausted I felt like I’d been drugged into sleep.

I woke again at one-thirty this afternoon.

I’ve tried to write, tried to research, tried to get into the mood to do some more Christmas decorating, and all I want to do is sleep. I haven’t even cracked open (metaphorically speaking, as it’s a Kindle file) the Cleo Coyle book I got on Tuesday at 2:01 AM Central time.

Tonight, in an effort to shake the funk, I played a bunch of music, but even that didn’t help, so I went to YouTube and found a Peter, Paul and Mary video (because I am SUCH a geek) that never fails to make me grin.

That video is below. Enjoy:

Holidailies 2012

America…

In all honesty, I’ve been avoiding the net today, partly because I’ve been focused on other things, and partly because I wanted to avoid all the 9/11 anniversary stuff, because eleven years later, it feels more maudlin than anything else. Am I sorry people died? Of course. But I’m sorry for every life lost in every conflict around the world, and frankly, we’re still pretty lucky as far as terrorism goes, unless you count our own legislature spending all their time passing laws that tell women what they can do with their bodies instead of creating jobs.

So, here’s my favorite Roy Zimmerman song, because his manages to blend jaded irony and idealistic hope into one really catchy tune.

Dracula Under Glass

glass-kronos-dracula

I’m not generally a fan of Philip Glass. I mean, I like his music better than I like, say, the music of John Cage, but when it comes to orchestra and quartet music, minimalism is just not my style.

However, earlier this evening I was poking around YouTube because after a friend introduced me to “chambersoul” musician Shana Tucker’s awesome fusion of classical, jazz, soul and folk forms – and did I mention she’s a cellist? – I found that my interest in my own cello was renewed. It’s been sitting in the closet for over a year, partly because I haven’t been in the mood to play, and partly because my hands hurt from so much typing, and partly because the C-string needs to be replaced and I’m terrified the string will hit me in the eye during the process.

But I digress.

So I was poking around iTunes, because I’m all about instant gratification, and I found a song by CelloFourte (aka Tate Olsen) that I quite like, even though his band (Skillet) is largely unknown to me. (I’m even less of a Christian music/Christian rock fan than I am a Glass or Cage fan, because while I believe everyone is entitled to self expression, I think praise music is a bit smarmy. To me, it always comes across as insincere. (I think they doth PRAISE too much.))

But browsing for music is all about finding the unexpected, and so I was surprised to come across a Kronos Quartet album called Dracula. Now, the Kronos Quartet has been in business almost as long as I’ve been alive and their repertoire includes a healthy blend of contemporary, classical and contemporary classical (no, that is NOT an oxymoron – it refers to modern music composed in a classical style). Even though they seem to be partial to Glass, I generally like their albums.

But Dracula? Really?? Could it be that one of my favorite quartets had celebrated one of my favorite stories?

As it turns out, it could. The album isn’t at all recent, but is the recording of Kronos Quartet’s performance of Philip Glass’s Dracula quartet, which is basically a modern, alternative score to the original 1931 movie which starred Bela Lugosi. In fact, KQ has played the piece live, under the movie, more than once.

The music alone is amazing – it really feels scary, mysterious, creepy, cautious, hopeful, and triumphant at various stages. As I have a DVD of the movie, I’m considering playing the two together some dark October evening (it begs for a dark October evening. Dracula doesn’t work in the late summer twilight. Trust me on this).

Meanwhile, I found a YouTube clip, of the music and the film, which I’ve shared below.

Enjoy.